To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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How to Procedurally Create a Roller Coaster With Blender
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Outer Worlds shows how to make a roller coaster model in Blender using Geometry Nodes. Blender 3 included some changes to how you can work with curves and splines in Geometry Nodes. This new tutorial
How to Create a Look-at Target Effect in Blender
December 10, 2021, 09:20 AM
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BlueFox Creation shows how you can always have objects look at a target using Geometry Nodes. Recreating a popular effect for Cinema 4D Mograph users, Blue Fox Creation (Hari Sreedhar) shows how to build a look-at effect
Zoom PodTrak P4 48 kHz—mission possible? 3 workarounds until Zoom updates it
December 10, 2021, 09:20 AM
https://www.provideocoalition.com/zoom-podtrak-p4-...
I have been very vocal about the lack of 48 kHz audio sampling frequency in the Zoom PodTrack P4 (and PodTrak P8), since their current lack of 48 kHz recording has effectively disqualified them from the professional video/television production world (or even to promote an audio-only show for television —without going through hoops and potential [...]Read More... from Zoom PodTrak P4 48 kHz—mission possible? 3 workarounds until Zoom updates it
Microphones for Video: What you need to know
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Replay: A microphone is a simple component that transforms acoustical energy into electrical energy. However, there is a lot to gain if you select the right microphone for the job. Eddy B. Brixen of DPA Microphones explains.
Peach announces integration with Frame.io
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https://www.provideocoalition.com/peach-announces-...
The integration of Peach with Frame.io creates a “game-changing” cloud-based ad workflow from post-production through distribution, which is faster and more secure. Peach manages the world’s advertising content and makes it easy for brands, agencies and media owners to collaborate on a global scale. Its technology simplifies complicated ad delivery processes ensuring ads arrive at [...]Read More... from Peach announces integration with Frame.io
VFX Notes ShangChi A VFX and martial arts ma
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https://beforesandafters.com/2021/12/10/vfx-notes-...
In the latest VFX Notes podcast, Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters discuss the MCU film, Shang-Chi and The Legend of The Ten Rings. We go into detail on key scenes like the bus fight, the Macau bamboo scaffolding battle and the enormous final sequence.
Venom Let There Be Carnage VFX Breakdown
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Don’t miss this excellent VFX Breakdown featuring the work DNEG on Venom: Let There Be Carnage!
Sound Devices 4 Plugin for 833 MixerRecorder Rel
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VFX Legion Conjures Up Effects for Disneys Just
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The Disney+ series ‘Just Beyond’ relied on VFX Legion’s technical ingenuity, and experience developing and producing intricate digital effects for a complex mix of shots. The anthology, inspired by Boom! Studios’ series of graphic novels written by R.L Stine, features eight episodes, each with a different cast and its own story set in the supernatural realm. Legion was brought on board to design the elaborate effects for ‘Which Witch?’ and create the magical feats of digital sorcery ...
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