To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
How to Automate Proximity With an After Effects Expression
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How to Use the Dynamic Trim Tool in Resolve
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https://www.premiumbeat.com/blog/dynamic-trim-tool...
DaVinci Resolve has a unique take on trim functions. Learn how to maximize your workflow in this quick tutorial.
Animating The Replacements music video in 3 weeks with Adobe Character Animator
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https://www.provideocoalition.com/the-replacements...
Seth Zeichner believes that digital animation can powerfully convey any artistic style. With Adobe Character Animator, he’s developed stunning animations based on the unique ink illustrations of Pat Moriarity. Many fans of the band The Replacements will recognize Moriarity’s illustrations on albums and posters from the punk rock scene in Minneapolis. So when The Replacements [...]Read More... from Animating The Replacements music video in 3 weeks with Adobe Character Animator
Watch my “Inside the Cutting Room” panel honoring Myron Kerstein
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https://www.bobbieosteen.com/2021/12/watch-my-insi...
View here.
A Look at Cinema 4D’s Symmetry Generator, In-Depth
December 9, 2021, 09:03 AM
https://lesterbanks.com/2021/12/a-look-at-cinema-4...
Polygon Pen covers generators and deformers in-depth, this time looking at the symmetry generator. In the first episode of Polygon Pen’sPen’s new series, he talks about the symmetry generator in Cinema 4D. The series takes
Avid MediaCentral Panel Supports Adobe After Effects, Photoshop
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Production teams working in broadcast can now bring graphic design work directly into Avid MediaCentral through the MediaCentral panel, which now includes support for Adobe Photoshop and After Effects. The lightweight software plugin removes the manual steps graphic designers need to take in order to contribute to large-scale production projects and keep track of their content. Continue reading → December 8, 2021 The post Avid MediaCentral Panel Supports Adobe After Effects, Photoshop appeared...
GalsNGear, NAB Announce Level Up — Career Event for Women in M&E
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https://postperspective.com/galsngear-and-nab-anno...
GalsNGear and NAB will be co-hosting Level Up, a virtual two-day career accelerator for women leaders in media and entertainment. The event will be held on December 15 and 16. The event targets women in pivotal positions across the streaming media, broadcast, film, technology and content production spheres who are reevaluating their career goals and questioning what’s next for the media and entertainment industry in 2022 and beyond. Continue reading → December 8, 2021 The post GalsNGear, NAB...
Digital sharpness: Why do we want to take the edge off our video?
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https://www.redsharknews.com/production/item/6984-...
Replay: To filter or not to filter, that is the question that pre-occupies our minds. Is the glass diffusion filter really dead in the water now that we have highly sophisticated, and fast, software that can achieve a similar effect in post?
Why are my colours wrong?
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Never Twice The Same Colour used to be the nickname for NTSC. But now we could say the same of our entire production chain. What is going on?
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