To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Let’s Edit with Media Composer – ADVANCED –

December 31, 2016, 07:29 AM

http://www.provideocoalition.com/lets-edit-media-c...

In this lesson, Kevin P McAuliffe talks about how to record voice overs directly into Avid Media Composer using any off the shelf USB microphone. I get a lot of tutorial ideas from questions that are sent to me via e-mail, as well as questions that I see asked via The Avid Editors of Facebook The post Let’s Edit with Media Composer – ADVANCED – Recording Voice Overs appeared first on ProVideo Coalition.

2017 Technology Predictions

December 31, 2016, 07:29 AM

https://digitalfilms.wordpress.com/2016/12/31/2017...

The next year will certainly be an interesting one. Not only because of the forces of innovation, but also those of politics. With the new President vowing to use the bully pulpit to entice, encourage or cajole US corporations to bring their offshore manufacturing back to the states, it seems pretty clear that companies in […]

J.J. Abrams to Get ACE Golden Eddie Award

December 31, 2016, 07:27 AM

http://www.hollywoodreporter.com/behind-screen/jj-...

J.J. Abrams will receive American Cinema Editors' Golden Eddie Filmmaker of the Year Award, during the 67th annual ACE Eddie Awards, Jan. 27 at the Beverly Hilton Hotel.

IN THE HEART OF THE SEA: VFX Breakdown

December 31, 2016, 07:27 AM

http://www.artofvfx.com/in-the-heart-of-the-sea-vf...

Have a look at this VFX breakdown by Scanline VFX about their work on IN THE HEART OF THE SEA...

Seeing Sounds: PT Anderson's Sound Mixes

December 31, 2016, 07:26 AM

http://www.moviemaker.com/archives/news/pt-anderso...

Watch this rhythmic cut of the many bangs, thuds, cracks, claps, shots and snorts that comprise the harsh soundscapes of Paul Thomas Anderson's films.

Frequency & Amplitude

December 31, 2016, 07:26 AM

https://www.aotg.com/frequency-amplitude/

In this video, we define and discuss the difference between frequency and amplitude. Frequency is the rate of change and amplitude is the quantity of change.

Transcript: Digital Production Buzz – December 2

December 30, 2016, 02:25 PM

http://www.digitalproductionbuzz.com/2016/12/trans...

GUESTS Larry O'Connor, President & Founder, Other World Computing Larry Jordan, Host, Larry Jordan & Associates Jonathan Handel, Entertainment/Technology Attorney & Labor Reporter, TroyGould and The Hollywood Reporter Michele Yamazaki, VP Marketing, Toolfarm Michael Kammes, Director of Technology, Key Code Media, michaelkammes.com James DeRuvo, Film and Technology Reporter, DoddleNEWS The post Transcript: Digital Production Buzz – December 29, 2016 appeared first on Digital Product...

Sound with Benefits: A Look at Sounds that Hurt an

December 30, 2016, 02:25 PM

http://designingsound.org/2016/12/sound-with-benef...

As members of the audio industry, sound is our livelihood. Whether we’re cutting dialog, recording, editing, composing, or engaging in any other part of our field, we expose ourselves to sound everyday. And while sound is informative and emotionally moving, it is nevertheless a fatiguing experience for our body. Most of us have heard at […]

Chau 2016

December 30, 2016, 02:25 PM

http://saeditores.org/Novedades/Chau-2016

El 23 de diciembre pasado se llevó a cabo la cena y brindis de fin de año de la SAE en el Club Arquitectura de la Ciudad de Buenos Aires, con la participación de más de cincuenta socios que disfrutaron de un hermoso encuentro y festejaron el cuarto aniversario de la asociación.Durante este 2016, la SAE organizó y participó en diversas charlas y cursos que tuvieron como objetivo jerarquizar nuestro oficio y lograron visibilizar aún más el rol del editor audiovisual. Además, la asoc...

Cutting Room Was the Last Line of the Truth

December 30, 2016, 02:25 PM

http://www.hollywoodreporter.com/behind-screen/pat...

Creating an authentic and absorbing account of the April 15, 2013, terrorist bombing at the Boston Marathon was top priority for Patriots Day director Peter Berg and editors Colby Parker Jr. and Gabriel Fleming.

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