To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Artist in Residence Keith Reamer on his Creative F

December 29, 2016, 07:18 AM

https://www.aotg.com/artist-in-residence-keith-reamer-on-his-creative-f/

A veteran of independent film, Keith Reamer has edited such films as "The Ballad of Little Jo," starring Ian McKellan, "I Shot Andy Warhol," starring Lili Taylor, and Three Seasons, winner of Grand Jury Prize at the 1999 Sundance Film Festival. Keith also cut "Stephanie Daley," which received the Waldo Salt Award...

Build a Custom Lightning Solver With Houdini

December 29, 2016, 07:18 AM

http://lesterbanks.com/2016/12/build-custom-lightn...

VFX Artist Dylan Brinsbury-Magee covers the finer points for creating dynamic and controllable procedural lightning Solver in Side FX Houdini. The three part tutorial covers making the lightning, animating the bolts, and having them connect The Post Build a Custom Lightning Solver With Houdini originally appeared and published on %%BLOGLINK%,by lesterbanks

Recording Life and Nature: an interview with Gordo

December 29, 2016, 07:17 AM

http://designingsound.org/2016/12/recording-life-a...

With more than 30 years of professional activity, Gordon Hempton has dedicated most of his life to listen and record the sounds of nature, an endangered soundscape that he has sworn to protect as a recordist and an activist. Part of his life work has been made available for the rest of the sound community […]

The Top 10 Articles on PVC in 2016

December 29, 2016, 07:17 AM

http://www.provideocoalition.com/top-10-articles-p...

Over the past couple years, we’ve taken a look back on practically all of the content that was published on PVC in a given year, but that sort of overview can be just as difficult to read as it is to compile. With well over 1,000 items published on PVC in 2016, trying to capture The post The Top 10 Articles on PVC in 2016 appeared first on ProVideo Coalition.

How Rogue One Brought Back Familiar Faces

December 29, 2016, 07:15 AM

http://www.nytimes.com/2016/12/27/movies/how-rogue...

Making a new “Star Wars” movie can be like gaining access to a toy collection that has been amassed over four decades. For the creators of “Rogue One,” a film designed as a narrative lead-in to the original “Star Wars,” it was a chance to play with characters, vehicles and locations sacred to this series.

Get Started Fast with Media Composer for Adobe Edi

December 28, 2016, 03:29 PM

http://www.provideocoalition.com/get-started-fast-...

This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in Avid Media Composer, so they can get up to speed editing quickly! Other than exporting, acquiring media is probably the single biggest problem that editors run into when getting up and running with Media Composer.  Many The post Get Started Fast with Media Composer for Adobe Editors — Part 2 appeared first on ProVideo Coalition.

Passengers: inventing the sound of a space love st

December 28, 2016, 03:29 PM

http://www.provideocoalition.com/passengers-invent...

The sound tapestry inside the spaceship in Passengers may sound as something from a distant future, but it was created with things as simple as glass rolling on a desk or squeaks of an office chair. Passengers, from Director Morten Tyldum and Sony Pictures Entertainment, is a futuristic love story set on a mammoth spaceship The post Passengers: inventing the sound of a space love story appeared first on ProVideo Coalition.

How To Make a 360° Video from an Existing 3D AE

December 28, 2016, 03:29 PM

http://www.mettle.com/how-to-make-a-360-video-from...

Charles Yeager (yeagerfilm.com) shows us how to take a regular After Effects project file, and turn it into a 360 video. He starts with an asteroid project file that he created 3 years ago using Element 3D, and converts it into 360 video using “SkyBox Composer” a new module in SkyBox Studio V2.

The Sound & Music Of Playstation VR Worlds

December 28, 2016, 07:32 AM

http://designingsound.org/2016/12/the-sound-music-...

The Playstation VR Audio team recently released a short behind the scenes video highlighting their approach to immersive 3D Audio for Playstation VR Worlds.

Top 10 Title Sequences of 2016

December 28, 2016, 07:32 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

The Very Best Title Sequences of 2016, as chosen by Art of the TitleFor our third annual list of the year’s top 10 title sequences, Art of the Title’s editors chose from among work created for film, television, video games, exhibitions, and conferences. The Top 10 of 2016 were chosen based on criteria including originality and innovation, impact, atmosphere, relevance to the larger work, and technique.Starting in late 2015, we began formally cataloguing title sequences for the year and b...

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