To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Matrox Monarch Controls Deeply Integrated into Str

December 14, 2016, 03:02 PM

https://news.creativecow.net/story/883984

(Montreal--December 14, 2016) The latest in a series of partner integrations, Matrox is today announcing StreamShark’s implementation of Matrox® Monarch™ encoding and streaming controls into their event video CDN. “StreamShark works closely with both small and large organizations that use live streaming as a means to broadcast their message globally, at internet scale,” said James Broberg, CEO, StreamShark.

Jellyfish Pictures Taps Shotgun for VFX

December 14, 2016, 03:02 PM

https://news.creativecow.net/story/883910

(London, UK--December 8, 2016) Jellyfish Pictures provides a full range of visual effects, animation and motion graphics services, and has earned BAFTA, Emmy and VES Award recognition for its work. Founded in 2001, the company currently operates out of three locations in London. The Noho studio handles live action film, TV and advertising projects like “Star Wars Rogue One,” “Black Mirror” or “Outlander,” and the Brixton outfit and recently opened Oval office specialize in animation,...

FANTASTIC BEASTS - Andrew Morley - VFX Supervisor

December 14, 2016, 03:01 PM

http://www.artofvfx.com/fantastic-beasts-and-where...

Andrew Morley is working in the VFX industry for nearly 20 years. He has worked in many studios such as MPC, Lucasfilm, Framestore or Aardman Animations. He joined Cinesite in 2014.

Oscars: 91 songs vie for Academy Award

December 13, 2016, 07:12 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — The Academy of Motion Picture Arts and Sciences announced that 91 songs from eligible feature-length motion pictures released in 2016 are in contention for nominations in the “Original Song” category for the 89th Academy Awards. To be eligible, a song must consist of words and music, both of which are original and written specifically for the film. A clearly audible, intelligible, substantive rendition of both lyric and melody must be used in the body of the film or as th...

The Intersection of VFX and Storytelling

December 13, 2016, 07:11 PM

http://blogs.adobe.com/creativecloud/the-intersect...

Founder and Creative Director Ian Kirby and Executive Producer Dan Sioui know that their small team and roots in motion design make The Sequence Group a bit different than other VFX studios—and they wouldn’t have it any other way. Located in Vancouver, BC and Melbourne, Australia, the studio works with big brands, producing everything from broadcast show openings, film titles, game trailers, and short films to game cinematics, animated series, and traditional advertising. Whether workin...

145 Original Scores In 2016 Oscar Race

December 13, 2016, 07:11 PM

http://www.awn.com/news/145-original-scores-2016-o...

LOS ANGELES -- The Academy of Motion Picture Arts and Sciences today announced that 145 scores from eligible feature-length motion pictures released in 2016 are in contention for nominations in the Original Score category for the 89th Academy Awards.

Edit8 Transcribe-GoogleSpeech-find words in clips

December 13, 2016, 01:30 PM

https://www.aotg.com/edit8-transcribe-googlespeech-find-words-in-clips/

Edit8 Transcribe Pro is a link service that links your editing app with Google Speech recognition, enabling you to transcribe more than 80 Languages and dialects. It supports anything from English to Chinese. It allows you to import you Premiere XML file with source clips and export XML that includes MARKERS !! ( Making it soo easy to edit afterwards) The Edit8 Transcribe Avid Flavor which costs a bit more gives you the option to export AAFs from Avid and it embeds Markers/Locators in Avid M

#transcription software for premiere and avid#transcription#interview transcription
VR Audio: Early but exciting times for virtual, sp

December 13, 2016, 01:18 PM

http://postperspective.com/audio-vr-early-exciting...

By Beth Marchant The first things most people think of when starting out in VR is which 360-degree camera rig they need and what software is best for stitching. But virtual reality is not just a Gordian knot for production and post. Audio is as important — and complex — a component as the rest. Continue reading → December 13, 2016 The post VR Audio: Early but exciting times for virtual, spacial soundscapes appeared first on Randi Altman's postPerspective.

How to Create a Star Wars-Inspired Hologram in AE

December 13, 2016, 01:17 PM

http://nofilmschool.com/2016/12/how-create-star-wa...

No motion graphic sequences are as iconic as the holograms from the Star Wars saga. From "Help me, Obi-Wan Kenobi" to "It’s true—all of it," Star Wars and ILM have single-handedly introduced the hologram into the cinematic language.

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