To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Crossing the 180 with “Ferguson Rises” Documentary Filmmaker Mobolaji Olambiwonnu

May 12, 2022, 08:47 AM

https://www.provideocoalition.com/crossing-the-180...

Mobolajia Olambiwonuu is a Nigerian immigrant who struggled with what it meant to be Black in America when he was literally an African American. His outlook on race in America helped to formulate his work both as a professor at film school and a documentary filmmaker. He is the filmmaker behind the documentary “Ferguson Rises.” [...]Read More... from Crossing the 180 with “Ferguson Rises” Documentary Filmmaker Mobolaji Olambiwonnu

Editors on Editing with “The Bad Guys” Editors John Venzon & Jesse Averna

May 12, 2022, 08:46 AM

https://www.provideocoalition.com/editors-on-editi...

On this weeks episode of the Editors on Editing podcast, Glenn talks with John Venzon & Jesse Averna about the new DreamWorks animated film “The Bad Guys.” You like know John from his work on films such as “The Lego Batman Movie” & “Storks.” Jesse was an editor on “Sesame Street” & was an additional [...]Read More... from Editors on Editing with “The Bad Guys” Editors John Venzon & Jesse Averna

Carbon LA Promotes Bree Brackett to Colorist

May 12, 2022, 08:46 AM

https://postperspective.com/carbon-la-promotes-bre...

Creative studio Carbon has promoted LA-based Bree Brackett to colorist. While at Carbon she has worked on campaigns for Adidas, AT&T, eBay, Gap and Nike, to name a few. Brackett, who works on FilmLight Baselight, joins Carbon’s roster of colorists who work across studios in New York, Los Angeles and Chicago, Continue reading → May 11, 2022 The post Carbon LA Promotes Bree Brackett to Colorist appeared first on postPerspective.

Behind the Title: AFX Creative VFX Supervisor Tom Connors

May 12, 2022, 08:46 AM

https://postperspective.com/behind-the-title-afx-c...

Tom Connors is a VFX supervisor at Santa Monica-based AFX Creative, a studio providing post services for the advertising and entertainment industries. Their offerings include VFX, motion design, finishing and color grading. We recently spoke with Connors to find out more about his work. Can you talk about what being a VFX supervisor entails? Continue reading → May 11, 2022 The post Behind the Title: AFX Creative VFX Supervisor Tom Connors appeared first on postPerspective.

Color Management Part 6: Understanding the CIE 1931 diagram

May 12, 2022, 08:45 AM

https://www.provideocoalition.com/color-management...

In Part 5 we started to look at the CIE 1931 Chromaticity diagram, the distinctive rainbow tongue that pops up anytime color management is involved.  In this article / video, we pick up where we left off and look at how it was actually created.  The most pressing question – why is it such a [...]Read More... from Color Management Part 6: Understanding the CIE 1931 diagram

Ravengrade – Professional Film Emulations & Tools

May 12, 2022, 08:45 AM

https://jonnyelwyn.co.uk/film-video-editing-tools-...

The Cinelook colour grading plugin has been designed by pro colorists for pro colorists. Here's what you need to know... The post Ravengrade – Professional Film Emulations & Tools first appeared on Jonny Elwyn - Film Editor.

Westworld Season 4

May 12, 2022, 08:45 AM

https://www.artofvfx.com/westworld-season-4/

Don’t miss this excellent teaser for the fourth season of Westworld!

Mohsen Moradi VFX

May 12, 2022, 08:45 AM

https://www.toolfarm.com/news/mohsen-moradi-vfx-3d...

VFX/3D artist Mohsen Moradi created some surreal and action-packed VFX involving trains, planes, and automobiles. According to the description on one of the videos, he uses Autodesk 3ds Max and V-Ray for 3ds Max. It’s incredible work! Check it out!

VFX Notes Doctor Strange The Magic Mystery Tour

May 12, 2022, 08:44 AM

https://beforesandafters.com/2022/05/12/vfx-notes-...

In part 2 of our Doctor Strange discussion at VFX Notes, Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters break down Method Studios’ work on the multi-verse sequence in the film. Here’s my past coverage of this sequence back at vfxblog.

The Morning Watch VFX Artists React To The Last A

May 12, 2022, 08:44 AM

https://www.slashfilm.com/860595/the-morning-watch...

In this edition, watch the Corridor Crew react to the awful VFX work in "The Last Airbender" and praise the fantastic and subtle CGI of "Logan." Plus, the cast and crew of "Picard" break down the shocking season 2 finale of the show. And finally, celebrate Asian American and Pacific Islander Heritage Month by watching part of the "Monsters University" Pixar short "Party Central" played in Korean, Japanese, Mandarin, and Cantonese. Party on, dudes!

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