It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 9, 2019, 07:53 AM
https://www.pro-tools-expert.com/home-page/2019/6/...
At NAB 2019 on the Avid Stage, re-recording mixer for TV Scott Weber, who has mixed shows like Lost, Person Of Interest and Westworld, discussed how to mix TV shows to meet the different US broadcaster’s and Network’s delivery specs and how things vary from network to network and what impact that has on the mix and deliverables.
June 9, 2019, 07:52 AM
https://digitalfilms.wordpress.com/2019/06/09/did-...
Let me wrap up this three-parter with some thoughts on the media side of cameras. The switch from videotape recording to file-based recording has added complexity with not only specific file formats and codecs, but also the wrapper and container structure of the files themselves. The earliest file-based camera systems from Sony and Panasonic created […]
June 9, 2019, 07:52 AM
https://lesterbanks.com/2019/06/erik-lehmanns-rena...
Senior TD Erik Lehmann updates Renamer for Maya with a new UI and some new features. Senior Build TD for Double Negative, Erik Lehmann’s Renamer script for Autodesk Maya is an advanced renaming tool. The
June 9, 2019, 07:52 AM
https://lesterbanks.com/2019/06/marker-triggery-is...
Simon Heimbuchner’s Marker Triggery lets you manage markers and more in After Effects. A few years ago, a script for After Effects called “Trigger” let you trigger animations using timeline markers. Now a new script
June 8, 2019, 06:06 AM
https://www.pro-tools-expert.com/home-page/2019/15...
In this premium video tutorial, Julian Rodgers examines the possible reasons why, when selecting a clip in the clips list the corresponding clip in the Edit window doesn’t get selected too. There are a few reasons, not all of them obvious.
June 8, 2019, 06:06 AM
https://www.youtube.com/watch?v=GK0vYuTa2lM
Recorded live at the May 2019 lacpug Meet. Resolve specialist Jason Druss gave us an overview into a wide range of new features in Davinci Resolve 16, including the new DaVinci Neural Engine, that uses machine learning to enable powerful new features such as facial recognition, speed warp and more. With hundreds of new additions, including new tools in Fusion, Color, Fairlight and more, this overview is one you should not miss. Hosted by Michael Horton. In Collaboration with Surf Th...
June 8, 2019, 06:06 AM
https://www.provideocoalition.com/aotc-darkphoenix...
I last spoke to Lee Smith, ACE, when he edited Dunkirk, which won him an Oscar for Best Achievement in Film Editing and the ACE EDDIE for Best Edited Feature Film – Dramatic. He has cut numerous other films with Christopher Nolan, including Interstellar, The Dark Knight Rises, Inception (for which he was nominated for... The post ART OF THE CUT with Oscar-winning editor, Lee Smith, ACE on “Dark Phoenix” appeared first on ProVideo Coalition.
June 8, 2019, 06:05 AM
https://digitalfilms.wordpress.com/2019/06/07/did-...
HDR (high dynamic range) imagery and higher display resolutions start with the camera. Unfortunately that’s also where the misinformation starts. That’s because the terminology is based on displays and not on camera sensors and lenses. Resolution 4K is pretty common, 8K products are here, and 16K may be around the corner. Resolution is commonly expressed […]
June 7, 2019, 12:20 PM
https://www.youtube.com/watch?v=IjPaX33MsVs
MediaCentral | Editorial Management allows you to collaborate with everyone on your editorial team using a browser to edit your video clips with keyboard shortcuts, create sequences, write to bins for Media Composer users using Avid NEXIS. https://www.avid.com/editman Follow Avid: Facebook: https://facebook.com/avid Instagram: https://instagram.com/avidtechnology Twitter: https://twitter.com/avid LinkedIn: https://www.linkedin.com/company/avid-technology/ Snapchat: https://www.sn...
June 7, 2019, 12:20 PM
https://lesterbanks.com/2019/06/how-to-create-a-ro...
Anton Tenitsky shows a unique way to create a rock brush using shaders in 3DC. Love them or hate them, you’ll inevitably find yourself creating rocks as a 3D artist, especially as an environmental artist.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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