It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 6, 2017, 08:18 AM
https://www.rocketstock.com/blog/11-great-fonts-fo...
Whether you went to art school or developed an eye for design on your own, you simply know a good font when you see it. When you’re editing a project that requires lower third graphics for names and titles, the font choice is perhaps the most important decision you have to make.
March 6, 2017, 06:15 AM
http://alex4d.com/notes/item/20000-word-fcpx-high-...
First came Mike Matzdorff’s Final Cut for feature films book: Final Cut Pro X: Pro Workflow (Apple iBook / Amazon Kindle) Now there is a series of articles on fcp.co that covers high-end postproduction workflow from how to handle 6K RED RAW footage on set to final DCP delivery for cinema showings and worldwide distribution. Part 1 covers on-set post production including workflows for the camera department, the DIT/Assistant editor, production sound and script supervisor: This 5 pa...
March 6, 2017, 06:15 AM
http://www.redsharknews.com/post/item/4394-the-bes...
What are the best rigs for cutting your project as we move inexorably into the 4K future? As of here and now, here are a few that George Shaw reckons are leading the charge. EditingEditing 4KLaptopsApple Macbook ProDell XPS 15 MultiTouch NotebookRazer's Blade ProAsus ZenBook Pro
March 6, 2017, 06:15 AM
http://lappg.com/2017-creative-storage-conference-...
LAPPG members will receive a $100 discount to the upcoming 2017 Creative Storage Conference, May 24, 2017 in Culver City, CA. To take advantage of this offer please register at: https://cs2017.eventbrite.com?discount=onehundredoff65371289 The post 2017 CREATIVE STORAGE CONFERENCE appeared first on lappg.
March 6, 2017, 06:15 AM
http://edaeditores.org/se-realizo-la-primera-asamb...
El sábado 4 de marzo se llevó a cabo la primera Asamblea General Extraordinaria del 2017. Allí, con una importante participación, comenzamos oficialmente el año de actividades de la Asociación. En el inicio de la Asamblea comenzamos hablando sobre la importancia de trabajar en la comunicación y el funcionamiento interno de la Asociación acompañando su crecimiento, motivo por […]
March 5, 2017, 02:23 PM
http://editorunderconstruction.blogspot.com/2017/0...
Esta semana tengo clase de Montaje y forma, y hoy pasé la tarde editando una escena de diálogo. Aquí un vídeo interesante sobre este tipo de montaje en el cine de los Coen:
March 5, 2017, 08:02 AM
https://www.aotg.com/demystifying-mattes-masks-alpha-channels/
Demystifying mattes, masks & alpha channels!
March 4, 2017, 08:07 AM
http://www.karenschmeer.com/news/2017/3/4/sundance...
Lewis Erskine speaks at the Karen Schmeer Fellowship’s Art of Editing Lunch at the 2017 Festival. © Sundance Institute | Max Spooner In his keynote at this year's Sundance Art of Editing lunch, Lewis Erskine urged editors and decision makers to “Examine your privilege. Question it constantly... If you’re in the [decision making] room, take the risk of being the disruptor.” It was an extraordinary call to action a...
March 4, 2017, 08:07 AM
https://www.aotg.com/assistant-editing-in-scripted-film-and-tv/
The Blue Collar Post Collective and RED Digital Cinema presents Editor Conversations V3: Assistant Editing in Scripted TV & Film. This townhall style panel will delve into what it means to be an Assistant Editor. It is often overlooked that this role much more than a rung on the ladder to becoming an editor; it is a pivotal role in the filmmaking process.
March 4, 2017, 08:07 AM
http://www.digitalproductionbuzz.com/2017/03/trans...
GUESTS Andy Cochrane, Director, The AV Club Nick Bicanic, Founder, RVLVR Labs Brian Glasscock, User Experience Researcher, Member of the VR Mic Development Team, Sennheiser Duncan Shepherd, Editor/Creative Director, Duncan Shepherd Films Chris Bobotis, CEO and Co-Founder, Mettle James DeRuvo, Film and Technology Reporter, DoddleNEWS The post Transcript: Digital Production Buzz- March 2, 2017 appeared first on Digital Production BuZZ.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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