To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

UK-based Vine FX expands, adds talent

May 30, 2019, 09:07 AM

http://www.postmagazine.com/Press-Center/Daily-New...

CAMBRIDGE, UK — Vine FX (http://vinefx.com) has expanded to a new 2,000-square-foot visual effects studio, as well as doubled their talent pool to 30. The 12-year-old VFX house works on TV and film projects outside of the UK’s traditional home to high-end post in Soho.

How to Loop a Wiggle With Indexing

May 30, 2019, 09:07 AM

https://lesterbanks.com/2019/05/how-to-loop-a-wigg...

MOBOX Graphics shows a tried and true method for looping the wiggle in After Effects. It’s not something that I do all the time, so it’s good to have a refresher on some of the

Calrec Brings Surround Sound to Salt Lake City’s

May 30, 2019, 09:07 AM

https://www.broadcastbeat.com/calrec-brings-surrou...

SALT LAKE CITY, MAY 30, 2019 — William Montoya, audio team leader for KUED, Utah’s PBS station, was looking to improve the overall sound quality of its programs while increasing the studio’s capabilities by upgrading to a 5.1 native broadcast audio console. It wasn’t until the unveiling of Calrec Audio’s Brio 36 that his dream ...

Blackmagic RAW Format Used on Clink

May 30, 2019, 08:32 AM

https://www.aotg.com/blackmagic-raw-format-used-on-clink/

Blackmagic Design has today announced that new British television drama series Clink, created by Colin McKeown and produced by Donna Molloy, has relied on a Blackmagic RAW workflow for both acquisition and post production.

#blackmagic design#davinci resolve studio#blackmagic raw
Color Cone – Precise Color Correction for FCPX,

May 30, 2019, 06:05 AM

https://fxfactory.com/blog/after-effects/color-con...

A novel approach to color correction to ensure precise, smooth results while preserving skin tones.

Advanced keying with After Effects: Part 4

May 30, 2019, 06:05 AM

https://www.provideocoalition.com/advanced-keying-...

  The point of using a chromakey plugin is to generate a matte / alpha channel based on the colour of a background. In Part 4 of this series on advanced chromakey in After Effects, I demonstrate the benefits of stitching together a matte from multiple different renders. This directly follows on from part 3, where... The post Advanced keying with After Effects: Part 4 appeared first on ProVideo Coalition.

Amazon’s Good Omens: VFX supervisor Jean-Claude

May 30, 2019, 06:05 AM

https://postperspective.com/amazons-good-omens-vfx...

By Randi Altman Good versus evil. It’s a story that’s been told time and time again, but Amazon’s Good Omens turns that trope on its head a bit. With Armageddon approaching, two unlikely heroes and centuries-long frenemies— an angel (Michael Sheen) and demon (David Tennant) — team up to try to fight off the end of the world. Continue reading → May 29, 2019 The post Amazon’s Good Omens: VFX supervisor Jean-Claude Deguara appeared first on postPerspective.

Autodesk ships Maya 2019.1 and Maya LT 2019.1

May 30, 2019, 06:05 AM

http://www.cgchannel.com/2019/05/autodesk-ships-ma...

In the full edition, the update improves lighting workflow in the Render Setup system and Light Editor, and adds new options for controlling cached animation playback and scene debugging.

Chernobyl

May 30, 2019, 06:05 AM

https://randythomblog.wordpress.com/2019/05/30/che...

Great praise to the makers of the television series Chernobyl for incorporating sound so strongly and subtly into your story...

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