To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Video Editing Tips: Consider Slides, Pushes, and S

February 23, 2017, 06:14 AM

https://www.premiumbeat.com/blog/slides-pushes-spl...

Growing tired of the same old default cross dissolve in Premiere Pro? Consider spicing up your splices with pushes, slides, and splits.

NOTICIA: El corto Timecode candidato al Oscar edit

February 23, 2017, 06:14 AM

http://www.finalcutpro.es/2017/02/noticia-corto-ti...

El cortometraje español Timecode, de Juanjo Giménez, es uno de los cortos favoritos este año al premio Oscar de su categoría. La gala de la edición número 89 de los Oscar tendrá lugar este domingo, 26 de febrero, en Los Angeles, California. Tal como explica su creador, Timecode ha sido su primer proyecto post-producido con [...] La entrada NOTICIA: El corto Timecode candidato al Oscar editado con FCP X aparece primero en finalcutpro.es.

The Importance of Transitions in Reckless

February 23, 2017, 06:13 AM

https://www.aotg.com/the-importance-of-transitions-in-reckless/

From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive.

Digital Production Buzz- February 23, 2017

February 23, 2017, 06:13 AM

http://www.digitalproductionbuzz.com/2017/02/digit...

Join host Larry Jordan as he talks with Dave Colantuoni, Michael Kammes, Oliver Peters, Sam Mestman, Alec Schreck, and James DeRuvo. Configure an Avid Media Composer System Workflows for a One-Man Band The Basics of Creating a Workflow Oliver Peters: Create a Personal Workflow Designing Custom Workflows The Weekly DoddleNEWS Update The post Digital Production Buzz- February 23, 2017 appeared first on Digital Production BuZZ.

Examining Industry Insights and Technology Trends

February 23, 2017, 06:13 AM

http://www.avidblogs.com/avid-bve-2017/

The article Examining Industry Insights and Technology Trends at BVE 2017 by Keri Middleton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

3 Reasons You Should Be Using Workflow Designer in

February 23, 2017, 06:13 AM

http://blogs.adobe.com/documentcloud/3-reasons-you...

Every company has unique business needs and processes. Contracts and agreements in different functional areas, such as sales or HR, often require different signature and approval steps. Adobe Sign Workflow Designer empowers you to easily build signature and approval processes that are tailor-made to your business. If you don’t already rely on Workflow Designer in your organization, we urge you to explore this self-service workflow customization tool now. Workflow Designer is available for...

Why Editing La La Land was harder than Whiplash

February 23, 2017, 06:11 AM

http://www.indiewire.com/2017/02/la-la-land-damien...

Filmmaker Toolkit Podcast, Ep 21: To calibrate the film's rhythms and tone Damien Chazelle and editor Tom Cross experimented with cutting out each of the film's hit musical numbers.

Tips on Switching Editing Software

February 23, 2017, 05:33 AM

http://jonnyelwyn.co.uk/film-and-video-editing/tip...

If you're thinking of switching NLE then this post will give you a good idea of what's in store for you, whether that's switching to Premiere or FCPX or Avid or even DaVinci Resolve.

#avid#fcpx#resolve#media composer#premiere#nle#editing software
EditFest London 2016 - Editors in Conversation

February 23, 2017, 05:17 AM

http://jonnyelwyn.co.uk/film-and-video-editing/edi...

For the second time ever you can listen to the full videos of Edit Fest London's hour long seminars with some of the top editors working in film and TV today.

#editing#editors#editfest london#conversation
Vimeo Launches Adobe Premiere Pro Panel

February 22, 2017, 03:57 PM

https://www.premiumbeat.com/blog/vimeo-launches-pr...

Vimeo comes to Premiere Pro with the all-new panel that integrates with the Vimeo review pages.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.