It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 29, 2014, 09:52 AM
https://www.aotg.com/amira-color-tool-02-whats-new-in-version-1-0/
In this screencast Alexander Keerl covers the changes and new features of version "1.0 release" of the AMIRA Color Tool: Medadata display, Different ways to ...
September 29, 2014, 04:55 AM
http://www.macworld.com/article/2598045/really-big...
Monitors that stretch the width of your desk are so last year. Rob Griffiths decided he wanted to try something new: a 4K high-density screen.
September 26, 2014, 11:28 AM
http://blogs.adobe.com/jkost/2014/09/5555-exportin...
If you’ve ever created a special style or “look” to apply to your images using multiple layer adjustment and blending options, then the ability to create and export Color Lookup Tables (LUTs) in Photoshop CC could potentially save you a significant amount of time. Although historically Color LUTs have been used primarily by the film industry, I believe that many photographers and designers will find the ability to remap any color in an image to any other color quite powerful. These...
September 25, 2014, 07:19 PM
http://www.youtube.com/watch?v=413f1biNTtA&feature...
Kendall Eckman from Blackmagic at IBC 2014 We popped by the Blackmagic booth at IBC 2014 to chat with Kendall Eckman, who filled us in on some news and updates. Blackmagic purchased Eyeon Fusion, a node-based compositing system with... From: postPerspective Views: 0 0 ratings Time: 02:15 More in Film & Animation
September 25, 2014, 11:26 AM
http://www.btlnews.com/crafts/post-production/mpc-...
MPC announced colorist Matthieu Toullet has joined its team, from Digital District, Paris, with over 12 years experience grading commercials, films and music videos.
September 25, 2014, 11:26 AM
http://www.btlnews.com/crafts/post-production/colo...
Senior colorist Mark Wilkins is now a member of the Encore team, working out of the post production and VFX company's Hollywood location. With over 30 years in the industry, Wilkins has color graded many shows including Two and Half Men, The Big Bang Theory, The Simpsons and Silicon Valley, among others.
September 22, 2014, 09:46 AM
http://www.postmagazine.com/Press-Center/Daily-New...
PORTE DE VANVES, FRANCE — French film laboratory and post production house, Éclair Group (www.eclairgroup.com), has invested in a Quantel Pablo Rio, which it will use to boost its finishing capabilities. Each year, Éclair Group posts more than 50 feature length films, 100 shorts, 80 hours of television fiction, 25 hours of documentaries and over 100 commercials and trailers.
September 21, 2014, 06:08 AM
https://www.aotg.com/color-correcting-blackmagic-prores-and-raw-footage/
This in-depth tutorial will show you how I color correct (or color grade, as some people say) ProRes footage and Raw .DNG's from the Blackmagic Pocket Cinema...
September 18, 2014, 07:27 PM
http://postperspective.com/blog-color-grading-end-...
By Chris Ryan We had three meetings today: Filmlight, SGO and Rohde & Schwarz. Here’s the rundown… FilmLight Nice Shoes currently uses FilmLight’s Baselight system for color grading, so we went to their booth first to touch base on new products and to get a feel for where they’re heading in the future. Their big […]The post Blog: color grading, end to end post, more appeared first on postPerspective - Randi Altman's postPerspective.
September 18, 2014, 04:43 AM
http://training.abelcine.com/event/monitor-calibra...
To truly judge your image on set, in post production, or in any color critical environment it is necessary to have a properly calibrated monitor. This course provides in-depth monitor calibration training using the latest software from SpectraCal. Topics range from basic brightness and contrast adjustments, to building ICC profiles and 3D LUTs. Learn both the theory behind monitor calibration techniques, and how to implement them with SpectraCal’s CalMan software. Attendees will leave with the...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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