It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 26, 2019, 06:20 AM
https://postperspective.com/colorist-andreas-bruec...
By Debra Kaufman Senior colorist Andreas Brueckl has graded a wide range of projects, from feature films to over 1,000 commercials, in Europe, the Middle East and Asia. He began his career at Bavaria Film/Cinepost in Germany, then freelanced across Europe and the Middle East before landing at 1000Volt in Istanbul, where he was lead colorist for almost four years. Continue reading → April 23, 2019 The post Colorist Andreas Brueckl on why he has embraced ACES workflow appeared first on Ra...
April 26, 2019, 06:20 AM
https://lesterbanks.com/2019/04/how-to-create-a-st...
Tigran Manukyan shares a quick tip that shows how you can make a 3D coin in After Effects without special plugs. In this day and age, there are a lot of ways to create and
April 25, 2019, 12:03 PM
http://manhattaneditworkshop.blogspot.com/2019/04/...
Manhattan Edit Workshop Instructor Ari Feldman shows how to add transitions to connected clips in Apple's Final Cut Pro X.More information about Manhattan Edit Workshop and the classes offered visit: https://mewshop.com/ Follow us on Twitter: @MEWshop / https://twitter.com/mewshop Like us on Facebook Manhattan Edit Workshop: https://facebook.com/ManhattanEditWor...#MEWTube, #FCPX, #FinalCutProX, #Apple, #HowToVideos, #MEWShop, #addingtransitions, #transitions, #editing, #editor, #certifie...
April 25, 2019, 12:03 PM
https://www.artofvfx.com/dumbo-richard-stammers-ov...
In 2015, Richard Stammers explained the work of MPC on THE MARTIAN. He talks to us today about DUMBO.
April 25, 2019, 12:03 PM
https://www.awn.com/news/new-oscar-rules-animated-...
LOS ANGELES -- The Academy’s Board of Governors has approved Oscars rules for the 92nd Academy Awards. Notable changes and updates are as follows...
April 25, 2019, 12:02 PM
http://www.studiodaily.com/2019/04/pix-acquire-cod...
San Francisco-based Pix, which makes the popular Pix system for dailies review and collaboration, said it has signed a definitive agreement to acquire London-based Codex, which specializes in workflow for on-set capture and finishing. Both Pix and Codex are de facto standards on high-end movie productions, with Codex equipment widely used to offload high quality camera-original […] The post Pix to Acquire Codex appeared first on Studio Daily.
April 25, 2019, 12:01 PM
https://www.provideocoalition.com/nab-2019-8k/
NAB 2019 marked the point where — without any particular fanfare — 8K television moved from a gee-whiz technology demo to a practical production, post-production, and distribution system. Blackmagic Design’s signage was all about 8K; they showed off 8K recording, switching, terminal gear, and editing — everything, it seems, but cameras. No worries: Ikegami had... The post NAB 2019: 8K appeared first on ProVideo Coalition.
April 25, 2019, 09:54 AM
https://www.aotg.com/sigma-invites-photography-enthusiasts-to-six-hands/
Sigma Lens Workshops hosted at dealer locations in California, Connecticut, Kentucky and New York will cover wildlife, portrait and macro photography
April 25, 2019, 07:25 AM
https://www.aotg.com/dumbo-delivered-with-blackmagic-design/
Blackmagic Design has today announced that DaVinci Resolve Studio was used throughout the full color pipeline on Disney’s live action remake of Dumbo. Directed by Tim Burton with a screenplay by Ehren Kruger, the DI was delivered by Goldcrest Post’s Adam Glasman, who collaborated with Director of Photography Ben Davis, BSC.
#blackmagic design#davinci resolve studio#atem television studio hdApril 25, 2019, 06:20 AM
https://www.digitalproductionbuzz.com/2019/04/tran...
HOST Larry Jordan GUESTS John Harris, Director of Business Development, Cinedeck Jim Tierney, President, Digital Anarchy Evan Michals, VP Video Product Management, Evolphin Linda Tadic, Founder/CEO, Digital Bedrock James DeRuvo, Editor-in-Chief, doddleNEWS == Larry Jordan: Tonight on The Buzz, from old friends to new companies.… The post Transcript: Digital Production Buzz – April 18, 2019 appeared first on Digital Production BuZZ.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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