A community-driven source for post-production information
September 22, 2013, 01:09 PM
So you guys know I’m a co-Founder of the Atlanta Cutters Post Production User Group and one of the leading coordinators of the Southeast Creative Summit. Cannot believe we now not only have an Academy Award winner coming, he’s been nominated FOUR times! You’ve heard Ed’s work on “Inception,” “The Dark Knight,” “The Dark Knight Rises” and […]
September 20, 2013, 04:33 AM
(Dallas, Texas--September 20, 2013) Dallas/Santa Monica-based digital studio Reel FX puts the powerful features of RAM Commercial trucks to the test in a new :30, “Blow,” for RAM out of The Richards Group, Dallas, TX. The spot features the latest truck from RAM’s commercial fleet smoothly hauling a hefty load of construction equipment up a winding road, or on a craggy precipice with ease.
September 19, 2013, 01:48 PM
Using the After Effects Offset effect, Shawn Sheehan demonstrates how you can create a scrolling environment background that has an inherent paralleling effect without the use of the After Effects 3D Environment.
September 19, 2013, 10:02 AM
Dave Scotland continues his Nuke in Production Series with a look at 2D Tracking techniques in Nuke, providing an overview for the tracker node, and applying tracked data to assets.
September 18, 2013, 07:20 PM
Gravity Post sought the shelter of Chapter 11 protection this week but the veteran VFX company isn’t going out of business. And, unlike other troubled VFX...
Cindy Mollo sits down to discuss the editing of Ozark.
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
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