It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 24, 2019, 08:57 AM
https://lesterbanks.com/2019/04/how-to-create-a-pa...
Noble Kreative shows how to make a versatile particle transition effect in After Effects. I like Najib Khayati’s tutorials. They always show ingenuity and process, creating complex-looking effects while using only After Effects native tools.
April 24, 2019, 08:57 AM
https://www.redsharknews.com/production/item/6310-...
Indeed Adobe has. And what is impressive about it all is that, as the company’s Principal Product Manager for Video Editing, Patrick Palmer says, it’s less about the technology and more about the experience you have with the product as a user.
April 24, 2019, 08:57 AM
https://www.artofvfx.com/il-campione-vfx-breakdown...
Come have a look at the work of EDI Effetti Digitali Italiani on IL CAMPIONE...
April 24, 2019, 08:56 AM
https://www.provideocoalition.com/datavideo-announ...
At NAB 2019, Datavideo announced the NVS-33, an H.264 standalone streaming encoder and recorder. The NVS-33 has HD-SDI and HDMI inputs for video as well as stereo RCA unbalanced audio connections, for use when embedded audio is not available or desired. The NVS-33 can stream and record at different bit rates simultaneously, although I am... The post Datavideo announced NVS-33 H.264 streaming encoder/recorder appeared first on ProVideo Coalition.
April 24, 2019, 08:56 AM
https://www.provideocoalition.com/nab-2019-1974-rc...
At the north end of the North Hall hallway, the Museum of Broadcast Technology showed off two fine 1974 RCA TK-54A color cameras. New York’s WPIX 11 used four of these cameras at Yankee Stadium until 1987, when they were “retired with gusto”. They languished in storage until recently, when MBT rescued them and was... The post NAB 2019: 1974 RCA TK-45As; 1978(?) TH-50A appeared first on ProVideo Coalition.
April 24, 2019, 05:28 AM
http://www.postmagazine.com/Press-Center/Daily-New...
MONTREAL — Lost Boys Studios’ Montreal School of Visual Effects (Campus D’Effets Visuels), which recently marked its first full year in operation, has successfully placed a number of students into VFX industry positions. The Montreal School’s (https://lostboys-studios.com) first group of students – those who graduated in October 2018 - are now working at studios that include Meduzart, Mill Film and MPC. The School’s second group of students, who began training in November, will g...
April 24, 2019, 05:27 AM
https://www.digitalproductionbuzz.com/2019/04/digi...
On tonight's episode of The Buzz, we have a variety of subjects to share with you We start with an update on the tectonic forces between writers and agents that's creating upheaval in Hollywood. Then, we look at the world of text transcripts and how AI is transforming an industry. Along the way, we'll also cover sound design and and better DIT workflows. Join host Larry Jordan as he talks with Jonathan Handel, Dom Bourne, Julian Evans, Jeff Edson and James DeRuvo. Status: WGA Battles ...
April 24, 2019, 05:27 AM
https://cuttingroomtales.wordpress.com/2019/04/24/...
There’s a question that’s on the lips of virtually no screenwriter. So how is that a good subject for a blog? Because, while they rarely ask it openly, it’s a question all writers will have asked themselves privately at some point in their career. And it is: What should I write? Whether you take that […]
April 24, 2019, 05:27 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Zu asche, zu staub. Zu asche. Doch noch nicht jetzt.” ...
April 24, 2019, 05:27 AM
https://postperspective.com/colorist-andreas-bruec...
By Debra Kaufman Senior colorist Andreas Brueckl has graded a wide range of projects, from feature films to over 1,000 commercials, in Europe, the Middle East and Asia. He began his career at Bavaria Film/Cinepost in Germany, then freelanced across Europe and the Middle East, and landed at 1000Volt in Istanbul, where he was lead colorist for almost four years. Continue reading → April 23, 2019 The post Colorist Andreas Brueckl on why he has embraces ACES workflow appeared first on Randi...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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