To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Making cool animation presets in Premiere Pro

January 15, 2017, 09:27 AM

https://www.aotg.com/making-cool-animation-presets-in-premiere-pro/

If you've every tried to make on screen graphics look interesting, you know it can take some time and finesse. This tutorial will show you how to easily create organic animations and how to save and reuse them in future projects. Also included is the Transform effect and how to use it Motion properties with the added benefit of getting real motion blue in your animations!

Music Supervisor, Music Editor, Temp Music, Temp s

January 14, 2017, 05:58 PM

https://editstock.com/blogs/all/explanation-temp-m...

What's the difference between temp music and, well, music? Why would anyone hire a music supervisor? What do composers do if you already have a music supervisor? These are all common questions that get submitted to us during the feedback process. This article helps answer those questions: More

AJA T-Tap

January 14, 2017, 05:58 PM

https://digitalfilms.wordpress.com/2017/01/14/aja-...

  The Thunderbolt protocol has ushered in a new era for easy connectivity of hardware peripherals. It allows users to deploy a single connection type to tie in networking, external storage, monitoring and broadcast audio and video input and output. Along with easy connections, it has also enabled peripheral devices to becomes smaller, lighter and […]

New Avid Media Composer Tutorials from MEWShop!

January 13, 2017, 06:11 PM

http://manhattaneditworkshop.blogspot.com/2017/01/...

Here at MEWShop, we've been putting together a bunch of new video mini-tutorials and how-tos for Avid Media Composer. Here's a compilation. Check them out!How to Duck Audio in Avid Media ComposerHow to Link Footage in Avid Media ComposerHow to Find Menu Items in Avid Media ComposerFor more videos like this from MEWShop, subscribe to our YouTube channel!

Reel FX hires Chad Mosley as senior designer

January 13, 2017, 02:08 PM

http://postperspective.com/reel-fx-hires-chad-mosl...

Chad Moseley has joined Reel FX as senior designer. Moseley brings with him nearly a decade of experience in motion graphics and design, spanning television, advertising and broadcast promos. He comes to Reel FX, which has offices in Dallas and Santa Monica, from Starz Entertainment, where he spent two years as a broadcast designer, Continue reading → January 13, 2017 The post Reel FX hires Chad Mosley as senior designer appeared first on Randi Altman's postPerspective.

Week in Premiere 1/13/17

January 13, 2017, 01:38 PM

http://www.premierebro.com/weekinpr/week-in-premie...

PREMIERE PRO WEEK IN REVIEW: Premiere Pro at Sundance 2017 • Linear Wipe & Fisheye Transitions • Guide to Premiere Pro's Media Cache • Deflection: A Transition Technique

#adobe#premiere pro#tutorials#news#reviews
How to Remove Hum in Final Cut Pro X

January 13, 2017, 10:41 AM

https://www.premiumbeat.com/blog/how-to-remove-hum...

Whats that sound? Nothing, if you follow these steps to remove hums and other noises in Final Cut Pro X!

Contender – Editor Joe Walker, Arrival

January 13, 2017, 07:44 AM

http://www.btlnews.com/awards/contender-editor-joe...

Playing with time has a big appeal for Joe Walker, editor of Arrival, the non-linear, sci-fi mystery starring Amy Adams and Jeremy Renner, as a linguist and scientist tasked with interpreting the language of alien visitors. “We’re talking about time. That is certainly something I’ve been obsessed by in the last few films I’ve worked […] The post Contender – Editor Joe Walker, Arrival appeared first on Below the Line.

Why FCPX 10.3 is the NLE of the future

January 13, 2017, 07:43 AM

http://www.redsharknews.com/post/item/4287-why-fcp...

Opinion: Final Cut Pro X might have driven swarms of editors into the arms of Apple’s rivals, but with FCPX 10.3 Apple finally delivered on the promise of the software and, if you edit, you owe it to yourself to leave your preconceptions at the door and check it out. By Khaled Al-Hurby. AppleFCP XFCP X 103EditingNLE

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