It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 16, 2019, 09:15 AM
https://lesterbanks.com/2019/04/working-with-arnol...
Arvid Schneider goes in depth with making a realistic eye shader using Arnold GPU. The Arnold team have unleashed a public beta of the Arnold GPU renderer. One of the key features is that the
April 16, 2019, 09:15 AM
https://www.artofvfx.com/the-highwaymen-chris-macl...
In 2014, Chris MacLean explained the work of Mr. X on POMPEII. He then worked on many projects such as CRIMSON PEAK, BEN-HUR, LEGION and THE STRAIN.
April 16, 2019, 09:14 AM
https://jeffvlog.wordpress.com/2019/04/16/free-cin...
Inspired from such Hollywood Films as Drive, Max Max: Fury Road and Moonrise Kingdom after getting your film to a good base correction you can easily apply these film looks to your project to give it a big budget look.
April 16, 2019, 09:14 AM
https://postperspective.com/aws-at-nab-with-a-vari...
During NAB 2019, Amazon Web Services (AWS) showcased advances for content creation, media supply chains and content distribution that improve agility and enhance quality across video workflows. Demonstrations included enhanced live and on-demand video workflows, such as next-gen transcoding, studio in the cloud, content protection, low latency and personalization. The company also highlighted cloud-based machine learning capabilities for content redaction, Continue reading → April 16, 201...
April 16, 2019, 09:14 AM
http://www.fcp.co/final-cut-pro/articles/2169-mich...
We publish the first in a set of videos from the Faster Together stage at NAB 2019. We start with an inspirational presentation from Michael Cioni, Senior VP of Innovation at Panavision. He takes a long hard look into the future.
April 16, 2019, 09:14 AM
https://fxfactory.com/blog/effects-2/head-up-displ...
50 motion-trackable Head-Up Display elements to create sci-fi displays, interfaces and callouts.
April 16, 2019, 06:24 AM
http://vashivisuals.com/my-interview-on-the-show-d...
Had a wonderful deep dive discussion with Noam Kroll on his “Show Don’t Tell” Podcast, covering...
April 16, 2019, 06:21 AM
https://www.allanmckay.com/190/
Alessandro Ongaro is a CG Supervisor at Double Negative. With almost 20 years of experience, he is presently considered to be among the CG Industry’s top professionals.
April 16, 2019, 06:19 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Oscar-winning editor Lee Smith, ACE, will be on hand at American Cinema Editors’ EditFest London (https://americancinemaeditors.org/editfest-london/), where he will discuss his career. EditFest returns to the UK on June 29th and will feature panels comprised of some of the industry’s top editors, all of whom will share experiences and insights from their work on feature films, documentaries and television programming.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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