To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

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https://lesterbanks.com/2019/04/how-to-create-chip...

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https://lesterbanks.com/2019/04/how-to-model-proce...

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https://www.artofvfx.com/the-man-in-high-castle-se...

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Why Alan Sallabank Continues To Use Windows For Pr

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https://www.pro-tools-expert.com/home-page/2019/4/...

It’s come to my attention that it’s almost four years since I wrote my one of my first Pro Tools Expert articles - Five Reasons I Use A Windows PC For Pro Tools. This also coincides with it now being six years since I set up 8dB Sound and made the decision to base it mainly around Windows technology. Looking back at my article, I’m not struck by how much has changed, but more by how much has stayed exactly the same. In this article, I’m going to take a look back at my original reasons an...

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https://www.premiumbeat.com/blog/alter-video-color...

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How do you make VFX for a history that didn’t ex

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https://beforesandafters.com/2019/04/15/how-do-you...

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TyFlow for 3ds Max

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https://3dtotal.com/news/general/tyflow-for-3ds-ma...

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https://www.animatorisland.com/working-as-an-anima...

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Burning questions about the DaVinci Resolve Editor

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https://www.provideocoalition.com/burning-question...

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ART OF THE CUT with Oscar winner, Paul Hirsch, ACE

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https://www.provideocoalition.com/art-of-the-cut-w...

Paul Hirsch, ACE has edited some of the most iconic films in cinema history: Carrie, Star Wars; Star Wars: The Empire Strikes Back; Ferris Bueller’s Day Off; Planes, Trains and Automobiles; Mission: Impossible; Ray; and The Mummy among many, many others in a career that goes back 50 years. We spoke about a wide range... The post ART OF THE CUT with Oscar winner, Paul Hirsch, ACE appeared first on ProVideo Coalition.

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