To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

doddleREVIEWS: Magic Bullet Suite 13, Part 2

January 1, 2017, 05:41 PM

http://www.doddlenews.com/blogs/doddlereview-magic...

In Part One of our look at Red Giant’s Magic Bullet Suite 13, we started to break down the different effects in the package, and what exactly they do. In part 2 of my review, we’re going to finish up our breakdown, talk about the price and I’ll give my final thoughts.

VIDEO: Andrew Weisblum, ACE Discusses the Advantag

January 1, 2017, 05:06 AM

http://manhattaneditworkshop.blogspot.com/2017/01/...

  Inside The Cutting Room With Bobbie O'Steen" Featuring Andrew Weisblum, ACE - Black Swan Part II.  From the Series: "Manhattan Edit Workshop Presents Inside the Cutting Room with Bobbie O’Steen" featuring editor Andrew Weisblum, ACE on February 21st, 2013.Andrew Weisblum, ACE is an American film and a visual effects editor. He has collaborated frequently with directors Darren Aronofsky and Wes Anderson. Weisblum was nominated for an American Cinema Editors's Eddie Award for Best E...

ART OF THE CUT with Oscar Winner Hughes Winborne o

December 31, 2016, 02:54 PM

http://www.provideocoalition.com/art-cut-oscar-win...

Hughes Winborne, ACE, is an Oscar-winning editor (Crash, 2005) who has cut more than two dozen feature films including Billy Bob Thornton’s Sling Blade, The Pursuit of Happyness, Seven Pounds, and Guardians of the Galaxy. His latest film is Denzel Washington’s adaptation of August Wilson’s Pulitzer Prize-winning play, Fences. HULLFISH: Hughes, we have something in The post ART OF THE CUT with Oscar Winner Hughes Winborne on “Fences” appeared first on ProVideo Coalition.

J.J. Abrams To Receive ACE Golden Eddie Filmmaker

December 31, 2016, 07:30 AM

http://www.btlnews.com/community/j-j-abrams-receiv...

Award-winning producer, writer and director J.J. Abrams has been selected by the Board of Directors of American Cinema Editors (ACE) to be honored with the organization’s prestigious ACE Golden Eddie Filmmaker of the Year Award. The award will be presented at the 67th Annual ACE Eddie Awards black-tie ceremony on Friday, January 27, 2017 in the International Ballroom […] The post J.J. Abrams To Receive ACE Golden Eddie Filmmaker of the Year Award From American Cinema Editors (ACE) a...

SMPTE Happy New Year 2017!

December 31, 2016, 07:30 AM

http://www.youtube.com/watch?v=9Z6UXhdTUjY

Our Centennial year has been a special time for all of us and no matter how you have contributed, you have helped to make 2016 an extraordinary year for the Society! We look forward to SMPTE's Next Century knowing we have your continued support. We wish you health, happiness, and joy in 2017! Happy New Year! Music provided by Song Freedom: "Alive in New York City" by Mikey Wax (courtesy of Mikey Wax) and "Auld Lang Syne" performed by Captain Dipper & The Strawberry Girl (courtesy of...

Working With HitFilm’s Displacement for an Easy

December 31, 2016, 07:30 AM

http://lesterbanks.com/2016/12/hitfilm-displacemen...

There are a few ways that you can get a 3D look using 2D images. Ina ll cases, a parallax effect is the key. If you are using HitFilm, it has a great displacement effect The Post Working With HitFilm’s Displacement for an Easy Parallax Effect originally appeared and published on %%BLOGLINK%,by lesterbanks

The Top 8 Series on PVC in 2016

December 31, 2016, 07:30 AM

http://www.provideocoalition.com/top-8-series-pvc-...

  We’ve already taken a look at some of the biggest articles that were published in 2016 on PVC, but the ongoing series that were started, completed and updated in 2016 offer an even better look at the breadth of content that’s available on the site. Many of these series will continue to be updated The post The Top 8 Series on PVC in 2016 appeared first on ProVideo Coalition.

Let’s Edit with Media Composer – ADVANCED –

December 31, 2016, 07:29 AM

http://www.provideocoalition.com/lets-edit-media-c...

In this lesson, Kevin P McAuliffe talks about how to record voice overs directly into Avid Media Composer using any off the shelf USB microphone. I get a lot of tutorial ideas from questions that are sent to me via e-mail, as well as questions that I see asked via The Avid Editors of Facebook The post Let’s Edit with Media Composer – ADVANCED – Recording Voice Overs appeared first on ProVideo Coalition.

2017 Technology Predictions

December 31, 2016, 07:29 AM

https://digitalfilms.wordpress.com/2016/12/31/2017...

The next year will certainly be an interesting one. Not only because of the forces of innovation, but also those of politics. With the new President vowing to use the bully pulpit to entice, encourage or cajole US corporations to bring their offshore manufacturing back to the states, it seems pretty clear that companies in […]

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