It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 12, 2021, 02:06 PM
https://www.3dvf.com/de-perrier-a-mcdonalds-voici-...
On the occasion of the Paris Images Digital Summit , an awards ceremony (the Genie Awards) will be organized on the evening of Wednesday January 27.
January 11, 2021, 07:21 PM
https://www.aotg.com/blackmagic-design-brings-stick-figure-war-to-life/
Blackmagic Design announced today that production company SoKrispyMedia’s newest release, “Stick Figure War” was shot in Blackmagic RAW using Blackmagic URSA Mini Pro 4.6K G2 and Micro Studio Camera 4Ks, with post work done in DaVinci Resolve Studio.
#blackmagic design#fusion#davinci resolve studio#video assist#decklink 8k pro#micro studio camera 4k#ursa mini pro g2January 11, 2021, 05:25 PM
https://www.artofvfx.com/23lunes-showreel-2021/
Interested about animation? Be sure to watch this brand new showreel by Barcelona based studio 23lunes...
January 11, 2021, 05:25 PM
https://www.artofvfx.com/le-bureau-des-legendes-se...
Come have a look at the digital rejuvenation work created by the Mac Guff teams on the 5th season of the Canal+ series, Le Bureau des Légendes...
January 11, 2021, 02:07 PM
https://beforesandafters.com/2021/01/11/the-vfx-of...
What follows is a long chat I had with visual effects supervisor Nathan McGuinness and DNEG visual effects supervisor Pete Bebb about their work on Aaron Schneider’s Greyhound, which stars Tom Hanks as a WWII navy captain of a destroyer guarding a merchant ship convoy across the Atlantic during WWII.
January 8, 2021, 02:04 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — VFX supervisor Artemis Oikonomopoulou has joined Cinesite (cinesite.com), here, bringing with her more than 20 years of experience in film. She comes to the London studio after having just completed work on the sci-fi thriller Infinite. Prior to that, she was the visual effects supervisor for Mermaid 2, the sequel to the all-time highest grossing film at the Chinese box office.
January 6, 2021, 01:56 PM
https://www.3dvf.com/bilali-mack-superviseur-vfx-c...
A new episode of the Chaos Group audio podcast is online . On the menu, an interview with Bilali Mack, VFX supervisor working on films and series ( Power Book II: Ghost, One of ours ). The interview evokes in particular the tool Flame of Autodesk, the way in which Bilali Mack directs smoke and blood in the service of the narration.
January 5, 2021, 01:58 PM
http://www.postmagazine.com/Press-Center/Daily-New...
SANTA MONICA, CA — 3D artist Thomas Connors has been named VFX supervisor/CG generalist at ArsenalCreative (http://afx.tv). The appointment by founder Mark Leiss is effective immediately. Connors has 20 years of experience in creating CG for high-end visual effects, and has carved out a niche in modeling and texture elements for CG environments for television and the automotive industry.
January 5, 2021, 01:56 PM
https://postperspective.com/arsenalcreative-adds-v...
Thomas Connors has joined Santa Monica’s ArsenalCreative as VFX supervisor/CG generalist. With 20 years of experience, Connors specializes in modeling and texture elements for CG environments for television and the automotive industry. Most recently, Connors was the CG supervisor at Picture Shop/Ghost FX in Burbank where for three and a half years he worked on notable projects such as Walking Dead, Continue reading → January 4, 2021 The post ArsenalCreative Adds VFX Supervisor Thomas...
December 29, 2020, 02:08 PM
https://beforesandafters.com/2020/12/29/cast-away-...
In the 1990s there was a flurry of interest and developments in digital compositing. Many VFX studios had taken on tools like Quantel’s Harry, Kodak’s Cineon, Wavefront’s Composer or Discreet Logic’s Flame, while a number of node-based solutions, such as Digital Domain’s (later Foundry’s) Nuke and Nothing Real’s (later Apple’s) Shake, further emerged in this era.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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