It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 8, 2019, 11:43 AM
https://lesterbanks.com/2019/04/how-to-get-x-parti...
Shawn Astrom shows an easy way to get Xparticles working with Corona Renderer in Cinema 4D. Both xParticles and Corona Render are fantastic additions to a C4D suite of tools. It’s too bad that at
April 8, 2019, 11:42 AM
https://greyscalegorilla.com/2019/04/maxon-acquire...
MAXON takes a bold step in its acquisition of Redshift, one of the most popular third-party render engines for 3D artists and motion designers.
April 8, 2019, 11:42 AM
https://www.artofvfx.com/captain-marvel-paul-butte...
In 2017, Paul Butterworth explained the work of Animal Logic on GUARDIANS OF THE GALAXY VOL. 2. He then worked on ALIEN: COVENANT.
April 8, 2019, 11:41 AM
https://www.youtube.com/watch?v=-a4b4FcBAVc
I completed the editor's cut on this feature film. Now it's time to listen to the director. Frame.IO is the online collaboration platform to keep track of every note. Free Trial of Frame.IO: https://www.thisguyedits.com/frameio Feature Film Editing Lessons on Patreon: https://www.thisguyedits.com/effigie Sneak a Peek at upcoming Editing Course: http://thegotoeditor.com DISCLAIMER: Frame.IO did not sponsor this video. I did get a free upgrade and may receive a small commission ...
April 8, 2019, 06:33 AM
http://www.studiodaily.com/2019/04/inside-game-thr...
HBO continues to run its victory lap around Westeros with this four-minute video celebrating the VFX prowess of the Game of Thrones team — discussed on screen by VFX producer Steve Kullback and VFX supervisor Joe Bauer — as the blockbuster show approaches its eighth and final season. The post Inside Game of Thrones: A Story in Visual Effects appeared first on Studio Daily.
April 8, 2019, 06:32 AM
https://lesterbanks.com/2019/04/chaman-animations-...
Los animales bailan una canción andina. ¿Qué instrumentos se escuchan? ¡Suscríbete a nuestro canal! (C) Chaman Animación SC 2019 Producción: Chaman Animation Studio Animación: Rene Escobosa Diseño de personajes: Misael Núñez Música: Juan Bonilla y
April 8, 2019, 06:32 AM
http://saeditores.org/Novedades/Quien-mato-a-mi-he...
Una síntesis personal de la edición por sus artífices
April 8, 2019, 06:32 AM
https://hnentertainment.co/christopher-nolan-repla...
TheHollywoodReporter has word that after working with Australian editor Lee Smith since Batman Begins, director Christopher Nolan will have to seek a new editor as Smith will be busy working with Sam Mendes’ WWI film 1917 for Universal Pictures. They report that he’s picked Jennifer Lame to work on his upcoming project that will shoot over the summer, Lame is best known for her recent work on the horror film Hereditary.
April 8, 2019, 06:32 AM
https://nofilmschool.com/sound-devices-presents-sc...
Sound Devices' powerful new 36-track production sound recorder, The Scorpio, is outfitted with a bunch of great features, including 32 channels of Dante I/O, 16 mic/line preamps, AES I/O, 12 analog outputs, and multiple headphone outputs. It also features a fully-customizable routing matrix, ultra-low noise preamps, multiple power options, and an internal 256GB SSD with two SD card slots.
April 8, 2019, 06:32 AM
https://postperspective.com/avid-at-nab-offers-reb...
By Daniel Restuccio During its Avid Connect conference just prior to NAB, Avid announced a Media Composer upgrade, support for ACES color standard and additional upgrades to a number of its toolsets, apps, services including Avid Nexis. The chief news from Avid is that Media Composer, its flagship video editing system, Continue reading → April 7, 2019 The post Avid at NAB offers rebuilt engine, embraces, cloud, ACES, AI, more appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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