To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
How Editor Mary Jo Markey, ACE Enhanced the Actors
November 21, 2019, 02:26 PM
https://www.youtube.com/watch?v=RttcB2m66MQ
Editor Mary Jo Markey ACE sits down with Author & Historian Bobbie O'Steen to discuss the film "Super 8" from "Sight, Sound & Story: Post Production Summit" 2019. Mary Jo Markey, ACE, is an accomplished editor in both film and television. After cutting a series of independent films and television movies, Markey began her collaboration with JJ Abrams as one of the editors of the TV series "Felicity" during its first three seasons (1998-2000). Markey then moved over to edit the fi...
Chris Hocking from LateNite Films Explains How His
November 21, 2019, 02:25 PM
http://www.fcp.co/final-cut-pro/articles/2226-chri...
Another superb Final Cut Pro X user story from Ronny Courtens. This time he talks to Chris Hocking from LateNite Films who post produced 'Neighbours - Erinsborough High' on FCPX. How did he convince the production team to use FCPX when the long-running original Neighbours is cut on Avid?
EditShare Helps Audiences See Great Barrier Reef
November 19, 2019, 09:41 PM
https://www.aotg.com/editshare-helps-audiences-see-great-barrier-reef/
EditShare live production solutions capture ‘scUber’, Australia’s groundbreaking, global tourism campaign promoting the Great Barrier Reef in partnership with Uber
#editshare#live production#advertising#great barrier reef#remote workflowsEditor Anna Price ( The Trial of Ratko Mladic, Edu
November 19, 2019, 01:49 PM
https://www.youtube.com/watch?v=fa7yPidC2vQ
Editor Anna Price on how her passion for anthropology led her to documentary film editing. https://www.avid.com/the-art-of-editing Follow Avid Media Composer: https://facebook.com/avidmediacomposer https://instagram.com/avid.mediacomposer https://twitter.com/mediacomposer https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology
Breaking Down the Role of the Video Editing Superv
November 18, 2019, 02:16 PM
https://www.premiumbeat.com/blog/what-is-video-edi...
We cover everything you need to know about the Video Editing Supervisor, how to work with one, and how you can become one.
La SAE entregará el Premio al Mejor Montaje en el
November 18, 2019, 02:15 PM
http://saeditores.org/Novedades/La-SAE-entregara-e...
El jurado, integrado por María Astrauskas (SAE), Flor Efron (SAE), y Gustavo Macri (SAE) otorgará el Premio al Mejor Montaje entre todos los largometrajes argentinos que participan en las secciones Competencia Argentina, Competencia Latinoamericana, Competencia Internacional y Competencia Estados Alterados.
‘Green Light’ Screening – Melbourne
November 18, 2019, 02:15 PM
https://www.screeneditors.com.au/green-light-scree...
How 'Parasite' Editor Yang Jin-mo Shaped the Film
November 17, 2019, 01:30 PM
https://filmschoolrejects.com/parasite-editor-yang...
Proclaiming that Parasite is one of the most impactful films of 2019 wouldn’t be a stretch at all. Bong Joon-ho’s latest is an immersive cinematic experience that resists philosophizing (even generic description) unless you’ve got hours to spare. An impeccable technical wonder that also happens to be deeply intuitive, it is Bong’s magnum opus — a film that neatly caps off a series of films including Snowpiercer and Okja which critically explore various notions of class
Final Cut ups Zoe Schack to editor
November 16, 2019, 02:14 PM
https://postperspective.com/final-cut-ups-zoe-scha...
Final Cut Edit in LA has promoted Zoe Schack to editor, after working at the studio as an assistant editor for three years. While at Final Cut, Schack was mentored by Final Cut editors Crispin Struthers, Joe Guest, Jeff Buchanan and Rick Russell. Schack has edited branded content and commercials for Audi, Continue reading → November 15, 2019 The post Final Cut ups Zoe Schack to editor appeared first on postPerspective.
Rooster welcomes Sam McLaren as Executive Producer
November 14, 2019, 02:29 PM
https://roosterpost.wordpress.com/2019/11/13/roost...
Rooster is pleased to announce that Sam McLaren has joined as Partner and Executive Producer. A creative executive producer, McLaren has a talent for multi-faceted storytelling and is a veteran of the Canadian commercial film industry. Having started her career in production, she transitioned to post-production and spent many years leading the editorial team at […]
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