It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 13, 2019, 02:06 PM
https://www.youtube.com/watch?v=ucXdTJTmA4I
Jeremiah O’Driscoll on how his experience fixing camera equipment at NYU led him to the cutting room. https://www.avid.com/the-art-of-editing Follow Avid Media Composer: https://facebook.com/avidmediacomposer https://instagram.com/avid.mediacomposer https://twitter.com/mediacomposer https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology
November 10, 2019, 03:07 PM
https://www.youtube.com/watch?v=0MK9P2f2EWw
Recorded live at the October 2019 lacpug Meet; You've seen it in hundreds of movies, but just don't know it. Endcrawl allows you to build end credits in your browser, collaborate in one place, preview your layout in real time, and get one-click renders whenever you like. John 'Pliny' Eremic, co-founder of Endcrawl demoed. Hosted by Michael Horton. In Collaboration with Surf Theater Productions
November 9, 2019, 01:59 PM
https://www.youtube.com/watch?v=iha4yGBAkt8
Leo Trombetta, ACE discusses how he combined the best takes from the set of "True Detective" despite the continuity challenges he faced. Leo Trombetta, ACE has over a dozen credits as a Film Editor including "Little Children" for director Todd Field and HBO Films’ "Temple Grandin," for which he won both an Emmy and an ACE Eddie Award. Leo's television work includes Netflix's "13 Reasons Why" and "Narcos," "Wayward Pines," "Mad Men," and the Michael Mann/David Milch seri...
November 8, 2019, 02:34 PM
https://www.aotg.com/spencer-averick-and-editing-when-they-see-us/
Gordon sits down with Spencer Averick to discuss editing "When They See Us" and his working relationship with Ava DuVernay.
November 7, 2019, 06:12 PM
https://www.aotg.com/blackmagic-raw-format-used-on-indie-film-portals/
Blackmagic Design today announced that filmmaker Hasraf (Haz) Dulull employed a Blackmagic RAW workflow throughout both the acquisition and post production of a new science fiction anthology feature, Portals.
#blackmagic#davinci resolve#pocket cinema cameraNovember 6, 2019, 01:41 PM
https://lappg.com/misha-tenenbaum-editing-editstoc...
We couldn’t be more excited launch our LAPPG Blog with Misha Tenenbaum! Misha has been a presenter at LAPPG in the past where we spoke about EditStock and his LA Post Fest win and will be joining us at our November LAPPG Meeting set for November 13th, 2019 to share with us his latest […] The post Meet Misha Tenenbaum – Founder EditMentor appeared first on lappg.
November 6, 2019, 01:40 PM
https://www.provideocoalition.com/after-effects-pe...
When discussing the history of After Effects and performance, there’s one single, critical, all encompassing factor that we have to begin with: what After Effects actually does. Perhaps more significantly:... The post After Effects & Performance. Part 2: What After Effects actually does appeared first on ProVideo Coalition.
November 5, 2019, 02:09 PM
https://www.youtube.com/watch?v=FFsgRAsSi8s
#SMPTE2019 #RogerBarton #filmeditor #Evercast Film editor Roger Barton (Godzilla: King of Monsters, Terminator Genisys) stopped by to talk about Evercast, which allows editors to work remotely on the system of their choice, as well as working his way up to editor. Enjoy postPerspective and SMPTE's coverage of the conference: https://postperspective.com/smpte-2019/
November 4, 2019, 07:02 PM
https://nofilmschool.com/portlandia-editor-intervi...
This past August at EditFest LA, editor Heather Capps participated in a panel talk called "From the Cutting Room to the Red Carpet," where all of the panelists' unanimous advice to emerging editors was to take any opportunity to get into comedy – if you can edit comedy, you can transition into any other genre. What makes comedy editing such a special skill? We talked with award-winning editor Heather Capps about the power of post, making jokes land, and editing IFC's sketch comedy series Portl...
November 4, 2019, 05:31 PM
https://www.aotg.com/sigma-announces-november-dealer-workshops/
Creatives across the country can get hands on with the new Sigma fp full-frame mirrorless digital camera for the first time; Sigma experts lead hands-on photography workshops for all skill levels
#photography workshops#sigma#sigma corp#sigma lens#sigma dealer workshops
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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