To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

ASSISTANT EDITOR VERSUS EDIT ASSISTANT

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https://www.screeneditors.com.au/assistant-editor-...

What is the difference between an Assistant Editor and an Edit Assistant? The ASE recently put a call-out on Facebook to try and answer this question you didn’t know you needed answered. After a number of responses this is what we have been told so far: The Edit Assistant role is more commonly found in […]

10 Film Production Podcasts You Should Listen To

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https://www.productionhub.com/blog/post/10-film-pr...

As film production professionals, we have long hours. We have incessant shoots, meetings, screenings, etc. We have exhausting days and never-ending nights. Staying in tune with our industry is key. Beyond that, striving to improve our craft is a constant journey. How can we stay up-to-date on the happenings in our industry while combating the restraints of time? Podcasts.

Loupedeck Creative Tool: now there is a Loupedeck

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https://www.provideocoalition.com/loupedeck-creati...

From video or photo editing to music production, graphic and industrial design, the latest Loupedeck tool covers all facets of editing for creative professionals. Meet the Loupedeck Creative Tool. Facing... The post Loupedeck Creative Tool: now there is a Loupedeck for everyone! appeared first on ProVideo Coalition.

How the 'Avengers: Endgame' Editor Created the End

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https://nofilmschool.com/Jeff-Ford-Avengers-Endgam...

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http://www.btlnews.com/featured/contenders-ad-astr...

For editors John Axelrad and Lee Haugen, cutting James Gray’s Ad Astra was a new venture into the world of the film’s epic space journey. In addition to the advent, for a James Gray film, of overarching visual effects, Axelrad and Haugen had to manage a motion picture that was both one man’s intimate story […] The post Contenders: Ad Astra Editors appeared first on Below the Line.

MONTAGE WARS – SA

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https://www.screeneditors.com.au/montage-wars-sa/

Montage Wars is Adelaide's first video editing competition! Six emerging Editors will compete to show off their editing artistry and speed. Each will have two hours to edit a music video. Join us for a fun, live and interactive event where you get to witness the edits emerging from the raw media while enjoying the […]

Night of the Demons (1988)

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http://feedproxy.google.com/~r/artofthetitle_rss/~...

“I've never heard so many disgusting stories in all my life.” — Judy Cassidy ...

Editor Cheryl Potter (Hanna, Snowpiercer, Solo: A

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https://www.youtube.com/watch?v=25Ht3exPvsk

Editor Cheryl Potter on when to stop cutting a sequence. https://www.avid.com/the-art-of-editing Follow Avid Media Composer: https://facebook.com/avidmediacomposer https://instagram.com/avid.mediacomposer https://twitter.com/mediacomposer https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology

ART OF THE CUT on editing “Zombieland: Doubletap

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https://www.provideocoalition.com/aotc-zombieland-...

Dirk Westervelt, ACE is an ACE Eddie nominee for his work on Deadpool 2. His filmography also includes Logan – which was a previous Art of the Cut interview – Run All Night, and Journey to the Center of the Earth. Chris Patterson has been associate editor on An Unfinished Life, Casanova, and Sunshine Cleaning... The post ART OF THE CUT on editing “Zombieland: Doubletap” appeared first on ProVideo Coalition.

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https://www.aotg.com/pond5-launches-marquee-for-creative-agencies/

A brand new wave of hand-curated, premium and exclusive video content has just arrived on the Pond5 marketplace.

#pond5#marquee#premium content#creative agencies

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