To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Wonder Park’s whimsical sound
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By Jennifer Walden The imagination of a young girl comes to life in the animated feature Wonder Park. A Paramount Animation and Nickelodeon Movies film, this story follows June (Brianna Denski) and her mother (Jennifer Garner) as they build a pretend amusement park in June’s bedroom. There are rides that defy the laws of physics — like a merry-go-round with flying fish that can leave the carousel and travel all over the park; Continue reading → April 2, 2019 The post Wonder Park’s...
Dalet Rolls Out Its New Dalet Media Cortex
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When someone tries to volunteer me to stay late
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Change Camera Attributes in Blender With Camera Wi
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Veteran VFX supervisor Lindy De Quattro joins MPC
April 2, 2019, 09:18 AM
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Long-time visual effects supervisor Lindy De Quattro has joined MPC Film in Los Angeles. Over the last two and a half decades, which included 21 years at ILM, De Quattro has worked with directors such as Guillermo Del Toro, Alexander Payne and Brad Bird. She also currently serves on the Executive Committee for the VFX branch of the Academy of Motion Picture Arts and Sciences. Continue reading → April 2, 2019 The post Veteran VFX supervisor Lindy De Quattro joins MPC Film appeared first o...
360-Degree Slow Motion
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What’s better than super slow motion? That’s right — super slow motion shot with a moving camera. Check out the camera rig built by YouTuber Ben Ouaniche (Macro Room) to whip a slow-motion camera supplied by Slow Motion Camera around a tabletop at a maximum of 150rpm. Click over to PetaPixel to read the whole story, […] The post 360-Degree Slow Motion appeared first on Studio Daily.
The Umbrella Academy VFX Supervisor
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Everett Burrell began his career in visual effects in 1993 on BABYLON 5. He then worked on many films such as BLADE, THE LEAGUE OF EXTRAORDINARY GENTLEMEN and THE PASSION OF THE CHRIST. As a VFX Supervisor, he took care of the effects of projects like PAN’S LABYRINTH, MAX PAYNE, A GOOD DAY TO DIE HARD and ALTERED CARBON.
ftrack releases ftrack Review
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Info Pop Templates for Final Cut Pro
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27 title bars perfect for displaying info, announcing events or promoting your business!
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