It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 8, 2016, 01:30 PM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Hi folks - today we are releasing Magic Bullet Suite 13.0.2, an update to our tools for color correction, finishing and film looks. This update contains enhancements, bug fixes and support for a new host app, and is FREE for current users of Magic Bullet Suite 13. Here’s what’s new... The post SOFTWARE UPDATE | Magic Bullet Suite 13.0.2 appeared first on Red Giant.
December 8, 2016, 01:30 PM
http://www.broadcastbeat.com/soundly-cloud-based-s...
Oslo, Norway, December 8th, 2016 – Soundly, a startup audio technology company, today released Soundly, a cloud-based sound effects library and workflow tool. Soundly represents a completely new approach to sound effects access and editing. A cloud-based sound library with access to thousands of premium sound effects and a powerful workflow tool, Soundly lets video ...
December 8, 2016, 10:40 AM
http://www.provideocoalition.com/importing-ixml-da...
This week on MacBreak Studio, Ripple Training’s Steve Martin shows us how you can now automatically assign roles when importing audio that is tagged with iXML data. In Final Cut Pro 10.3, roles are assigned automatically by default to video, titles, dialogue, music, or effects, with Final Cut making it’s best guess based on the The post Importing iXML data into Final Cut Pro 10.3 appeared first on ProVideo Coalition.
December 8, 2016, 10:39 AM
http://www.fcp.co/final-cut-pro/tutorials/1901-rep...
The recent FCPX 'focused' meeting of the Los Angeles Creative Pro User Group was a sell-out. Even the waiting list had to be closed! One of the highlights was a detailed presentation of how Final Cut Pro X works with a narrative workflow.
December 8, 2016, 10:39 AM
http://ir.avid.com/releasedetail.cfm?ReleaseID=100...
BURLINGTON, Mass., Dec. 08, 2016 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today announced significant improvements to its on-air graphics and video solution for broadcast, Maestro 7.2. As part of Avid's commitment to offering the most comprehensive tools and workflow solutions to create, distribute and optimize media, Maestro 7.2 gives broadcasters the industry-leading graphics tool they need to distinguish their stories with high-quality, engaging and immersive graphics. Tighter integration wit...
December 8, 2016, 05:41 AM
https://www.premiumbeat.com/blog/export-presets-in...
Streamline your video editing workflow by creating custom export presets in Premiere Pro. It only takes three simple steps!
December 8, 2016, 05:41 AM
https://www.aotg.com/lumaforge-fcpx-10-3-workflow/
Sam Mestman, Patrick Southern and Gergana Angelova walked us through a brand new narrative workflow built around the new FCPX 10.3 update and a Lumaforge Jelly Fish. They demonstrated automated syncing, organization, and renaming, as well as automated Pro Tools input and Wide color gamut management for DCP render and delivery. And there was a couple more surprises too, but the power of Final Cut Pro 10.3 and metadata was on full display. You now have a second chance if you missed this p...
December 8, 2016, 05:41 AM
http://www.fcp.co/final-cut-pro/tutorials/1900-why...
It gets a bit annoying when the title of your Final Cut Pro X export doesn't match your Project name when it comes to exporting. Why does this happen in FCPX and how can you fix it?
December 8, 2016, 05:40 AM
http://icutfilm.com/post/154191101252
Kidscreen Award Nomination : The series I had the privilege to direct with Sesame Street is nominated for Kidscreen award! “Best Web/App Series”
December 8, 2016, 05:40 AM
http://www.provideocoalition.com/art-of-the-cut-da...
Mark Day and Harry Potter are probably on a first name basis. He’s edited four of the Harry Potter films, starting with Order of the Phoenix. Other films include The Legend of Tarzan, Ex Machina, and The Theory of Flight. Before his feature film career, he worked on many of the BBC’s premiere movies, TV The post ART OF THE CUT with Mark Day of Fantastic Beasts appeared first on ProVideo Coalition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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