To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

This DaVinci Resolve Course, Now 75% Off

July 28, 2014, 04:44 AM

http://nofilmschool.com/2014/07/davinci-resolve-co...

There are many factors that go into making a film look cinematic, like lighting, blocking, and camera settings, but creating a good color grade is certainly somewhere near the top. If you’re completely new to color grading, but are looking for an opportunity to really get a firm grasp of it (or even if you just want to learn a few new techniques), this intensive DaVinci Resolve class, which will teach you everything from the basics of the interface to advanced color control, is now 75% off ($4...

FCPX Color Correction Tutorials

July 25, 2014, 12:32 PM

http://nonlinearpost.com/fcpx-color-correction-tut...

FCPX Color Correction Tutorials Danny Greer for Premiumbeat.com took the time to present a compilation of 10 FCPX color correction tutorials, and their respective videos, from around the web, all in one excellent post. I recently attended a presentation hosted by my friends at Melrose Mac melrosemac.com in Hollywood, on July 17, that showcased the new MacPro, with FCPX playing back 16 streams of full bandwidth 4k files in real-time over G-Technology RAID systems. They called the event, “Fa...

Leading Colorist chooses Mistika for Sony’s TV s

July 25, 2014, 12:32 PM

http://www.sgo.es/2014/07/leading-colorist-chooses...

“With SGO’s Mistika the process is organic and fast. It allows me to work at the speed of thought and take the footage to incredibleRead more...

Color Correcting Blackmagic ProRes and Raw Footage

July 24, 2014, 09:42 AM

https://www.aotg.com/color-correcting-blackmagic-prores-and-raw-footage-2/

This in-depth tutorial will show you how I color correct (or color grade, as some people say) ProRes footage and Raw .DNG's from the Blackmagic Pocket Cinema...

Video Tutorial: How to Set Up an ACES Workflow in

July 17, 2014, 06:22 PM

http://www.studiodaily.com/2014/07/video-tutorial-...

In this nine-minute video tutorial, Graham Austin of South Africa's DI Film Company, an editorial, grading, and on-set DI services facility in South Africa, shows you how to set up Assimilate Scratch to take advantage of the Academy Color Encoding … more »

Exploring Color Grading in After Effects

July 17, 2014, 09:37 AM

http://lesterbanks.com/2014/07/exploring-color-gra...

learn some techniques for color grading in After Effects using Magic bullet looks, and native After Effects tools and plugins

4K Boom Drives Pablo Rio Sales In Japan

July 17, 2014, 09:36 AM

http://www.content-technology.com/asiapacificnews/...

With 4K rapidly gaining hold as the medium of choice in Japan for movies, high quality TV programs and large screen public displays, post houses have turned to Quantel and Pablo Rio to handle 4K post production. The move to 4K is being boosted by the Japanese government which is targeting widespread delivery of 4K to homes throughout Japan by 2016 in time for the Olympic Games in Brazil. As a result of the 4K boom many of Japan’s leading post houses have purchased Quantel Pablo Rio 4K colour a...

Video Tutorial: Using Chroma Dark in DaVinci Resol

July 16, 2014, 09:10 AM

http://www.premiumbeat.com/blog/video-tutorial-usi...

There’s one DaVinci Resolve feature that I keep in my back pocket for dealing with footage with messy blacks. In this video tutorial learn Chroma Dark!

SOFTWARE UPDATE: Color Suite 11.1.3 – Bug fixes

July 14, 2014, 12:56 PM

http://feeds.redgiantsoftware.com/~r/redroomblog/~...

Hey folks – We’ve just released a maintenance update for Magic Bullet Looks 2.5 and Denoiser II: Magic Bullet Looks 2.5.2 Magic Bullet Looks now supports 5k footage. Adds compatibility for Final Cut Pro X 10.1.2 – Fixes a hang when using large footage. Saving LUT Tool Custome Tool presets now works properly Fixes an [...]

ArsenalFX Color adds veteran colorist Randy Starne

July 14, 2014, 12:56 PM

http://www.postmagazine.com/Press-Center/Daily-New...

SANTA MONICA — ArsenalFX Color (www.arsenalfxcolor.tv), the sister company to ArsenalFX, has added Randy Starnes to its team. He was most recently a colorist with Sony Pictures Studios’ Colorworks Division, where he worked in their 4K television facility on dozens of 4K finishing projects.

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