It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 14, 2016, 06:04 AM
http://www.fcp.co/final-cut-pro/articles/1887-appl...
If you are in Los Angeles, or have been meaning to be in Los Angeles and you love Final Cut Pro X, you will want to be at the Gallery Theater at Barnsdall Art Park Nov. 30th.
November 14, 2016, 06:04 AM
http://lappg.com/thank-november-presenters/
The post Thank You to Our November Presenters! appeared first on lappg.
November 13, 2016, 02:25 PM
http://www.huffingtonpost.co.uk/thomas-grove-carte...
On the 27th October Apple unveiled their new line of MacBook Pros. Since then half of what I read online seems to be “Professionals” (those guys), telling me it’s not Pro at all, not Pro enough or not the right kind of Pro. How many of these people have even touched the new devices?
November 13, 2016, 07:45 AM
http://www.redsharknews.com/production/item/3938-t...
Teradek’s new Bolt 500 provides productions with 500ft of zero delay, HD wireless transmission in a smaller form factor than ever before. TeradekTeradek BoltTeradek Bolt 500Wireless Productionwireless camera
November 12, 2016, 02:40 PM
http://www.creativeimpatience.com/pev05a/
Ben Gill, whom I interviewed some time ago about Performance Enhancing Visual Effects, has since published another tutorial, showcasing his other projects and additional techniques. In case you have not yet seen it, here it is:
November 12, 2016, 02:40 PM
http://edaeditores.org/eda-en-el-31-festival-de-ci...
El 18 de noviembre empieza el 31° Festival Internacional de Cine de Mar del Plata y queremos compartir los trabajos de socios y socias de EDA que serán parte del gran evento cinematográfico del año que se extiende hasta el 27 de noviembre. ¡Felicidades! ¡Allí estaremos! COMPETENCIA INTERNACIONAL El cristo ciego Andrea Chignoli COMPETENCIA LATINOAMERICANA Jesús Andrea Chignoli COMPETENCIA ARGENTINA El aprendiz Iair Michel Attias Los […]
November 12, 2016, 07:54 AM
http://lesterbanks.com/2016/11/maya-bonustools-201...
Shortly after a Maya release, we look forward to sifting through the latest BonusTools. Now, Maya BonusTools 2017 are here. The toolset offers workflow enhancements and some insights into development. Some BonusTools are experimental, some are useful, and some make it into Maya as regular tools. Autodesk’s Steven Roselle walks us though some of the The Post Maya BonusTools 2017 Adds a Weight Editor and More originally appeared and published on %%BLOGLINK%,by lesterbanks
November 12, 2016, 07:54 AM
https://www.aotg.com/should-directors-edit-their-own-films/
Does co-editing with the director make for a better film or a faster process?
November 12, 2016, 07:54 AM
http://editstock.com/blogs/all/franken-biting-fake...
The backbone of documentary and reality tv editing is what's known as the line cut (aka the radio edit, the a-side edit, or the string out). These are the words that your interviewees say edited down to the timeline in a long row of jump cuts. Franken-biting is when the editor intentionally juggles the interviewees words around to give them another meaning, or to make more / less articulate sentences. At a recent LA Creative Pro User Group (LACPUG) meeting, reality tv editor Vin...
November 12, 2016, 07:53 AM
http://postperspective.com/list-james-l-brooks-lat...
By Iain Blair James L. Brooks, the legendary writer/director/producer, probably has a reinforced mantelpiece in his home. If not, he could probably use one. After all, he’s Hollywood royalty and a three-time Academy Award winner and 20-time Emmy Award-winner, whose films include Broadcast News, Terms of Endearment, Continue reading → November 11, 2016 The post The A-List: James L. Brooks on his latest film The Edge of Seventeen appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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