It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 5, 2019, 08:53 PM
https://www.toolfarm.com/news/cinema-4d-r21-1/
Maxon is pleased to announce the first service pack for Cinema 4D Release 21. This release includes updates to support Redshift materials within the Node Material system introduced in Cinema 4D Release 20. By popular demand, the option to view context-sensitive help both offline and within a Cinema 4D window has been re-enabled in R21.1, and offline help files are immediately available for download.
December 5, 2019, 05:11 PM
https://www.artofvfx.com/aladdin-daniele-bigi-vfx-...
Daniele Bigi began his career in the visual effects in the early 2000s and worked in many studios such as Framestore and MPC before joining ILM in 2015. He worked on many films like PROMETHEUS, GUARDIANS OF THE GALAXY, DOCTOR STRANGE and READY PLAYER ONE.
December 5, 2019, 05:11 PM
https://www.provideocoalition.com/headshot-create-...
Automatically generate a digital human for movies or virtual production in minutes from one single photo, with the Reallusion Headshot plugin.
December 5, 2019, 01:29 PM
https://lesterbanks.com/2019/12/get-a-quick-x-ray-...
3D Models World shows how you can get a great X-Ray render using Maya Hardware. While on the topic of X-Ray renders, 3D Models World shows another method you can use to see through objects in Autodesk
December 5, 2019, 01:29 PM
https://postperspective.com/framestore-vfx-will-op...
Oscar-winning creative studio Framestore will be opening a full-service visual effects studio in Mumbai in 2020 to target India’s booming creative industry. The studio will be located in the Nesco IT Park in Goregaon, in the center of Mumbai’s technology district. The news hammers home Framestore’s continued interest in India, after having made a major investment in Jesh Krishna Murthy’s VFX studio, Continue reading → December 4, 2019 The post Framestore VFX will open in Mumbai i...
December 5, 2019, 01:28 PM
http://www.cgchannel.com/2019/12/maxon-ships-cinem...
Maxon has released Cinema 4D R21.1, the latest service pack release for the 3D software, adding support for Redshift materials within Cinema 4D’s node-based material system.
December 5, 2019, 01:27 PM
https://www.provideocoalition.com/redshift-3-0-12-...
Redshift 3.0.12 version, the first released since Maxon’s acquisition of Redshift, includes a deeper integration with Cinema 4D, among other important features for creators. When Maxon, the leading developer of... The post Redshift 3.0.12 version integrates Cinema 4D noises and nodes appeared first on ProVideo Coalition.
December 4, 2019, 02:25 PM
https://photography.tutsplus.com/articles/3-top-me...
Pop your blue suede shoes back in the wardrobe, it’s not that Memphis. The Memphis Group was founded in 1980 by Ettore Sottsass, who named it Memphis after being inspired by a Bob Dylan song. The Memphis style was one of bold colours and abstract shapes, very much influenced by Art Deco and Kitsch. The Memphis Group produced furniture and household objects to mixed reactions, but it went on to inspire a number of styles and looks among those who were fans—the first Apple Watch had a definite...
December 3, 2019, 02:20 PM
https://beforesandafters.com/2019/12/03/heres-how-...
A common issue raised by animation and visual effects studios when they are recruiting is that although new artists do tend to know the software, what these artists don’t always know is how to work at a studio production level.
November 26, 2019, 08:45 PM
https://www.artofvfx.com/terminator-dark-fate-jay-...
In 2018, Jay Barton explained the work of Digital Domain on AQUAMAN. He talks to us today about his work on TERMINATOR: DARK FATE.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.