It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 8, 2019, 07:21 AM
https://postperspective.com/review-tangent-wave-2-...
By Brady Betzel Have you ever become frustrated while color correcting footage after a long edit due to having to learn a whole new set of shortcuts and keystrokes? Whether you’re in Adobe Premiere, Avid Media Composer or Blackmagic Resolve, there are hundreds of shortcuts you can learn to become a highly efficient colorist. Continue reading → March 5, 2019 The post Review: Tangent Wave 2: Color Correction Surface appeared first on Randi Altman's postPerspective.
March 8, 2019, 07:21 AM
https://lesterbanks.com/2019/03/check-out-this-eas...
Glen Johnson shows his process to model a nut in Cinema 4D using generators, deformers and more. Usually, if you need nuts, bolts and screws, you take a trip to a model library and find
March 8, 2019, 07:20 AM
https://www.artofvfx.com/fmx-2019-the-program-and-...
FMX have released the program and the first speakers for the 2019 edition (April 30 to May 3)! As always the list of speakers is really impressive and interesting!
March 8, 2019, 07:20 AM
https://library.creativecow.net/ubsdell_simon/blac...
Blackmagic Fusion offers a variety of powerful retouching tools (as does DaVinci Resolve of course), so why would you want to build your own? As longtime VFX artist, editor, software developer, and business owner Simon Ubsdell explains, once you understand the underlying principles of the tools, you can use them better! In this tutorial, he shows how building a custom 3D keyer and a custom Linear Light Blend Mode allows a Low Frequency pass to smooth imperfections in the footage, and a High Freq...
March 8, 2019, 07:20 AM
https://www.dailymusicroll.com/latest-news/film-ed...
(DailyMusicRole Editorial):- Los Angeles, Mar 7, 2019 (Issuewire.com) – NewFilmmakers Los Angeles (NFMLA) has been a hot spot for indie film premieres because they consistently showcase the best, emerging talents in the film industry. The event helps fledgling filmmakers from all over the world gain recognition for their works. Recently, The Sad Poet, a short film directed by Andrew Acedo and edited by talented Yixia Li, had its world premiere in front of a substantial crowd.