To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Classic Course: Calculations
February 18, 2019, 10:44 AM
https://www.provideocoalition.com/classic-course-c...
Continuing our theme of often-overlooked utility plug-ins in Adobe After Effects that can create interesting composites with a minimum of layers and precomps, Calculations is a real Swiss Army Knife effect that can perform grayscale conversion and composite one layer with another with a variety of options.
Sound Vision
February 18, 2019, 10:44 AM
http://www.definitionmagazine.com/journal/2019/2/1...
It isn’t always appropriate to spend £30k on a grading monitor. Lower-budget productions may well be graded in a small suite – often doubling as the edit suite – with no cash available for high-end equipment. One option for these small suites is a monitor that sits halfway between a full grading unit and one designed for photography and print. The BenQ PV270 is a 27in post-production grading monitor with DVI-DP, HDMI 1.4 and DisplayPort 1.2 inputs, but none of the I/O associated with high...
When I’m asked about next season mid-season
February 18, 2019, 10:43 AM
http://renderplease.tumblr.com/post/182894092060
Free Document Creator Plugin for C4D Plugin Devs
February 18, 2019, 10:43 AM
https://lesterbanks.com/2019/02/free-document-crea...
Plugins 4D released a Document Creator plugin to help C4D plugin developers to create documentation. Are you a C4D Plugins developer? If you are, then you might want to check out this new plugin from
God of War: Making of VFX
February 18, 2019, 08:16 AM
https://www.artofvfx.com/god-of-war-making-of-by-u...
French studio Unit Image presents their work on this GOD OF WAR commercial...
Gitch Effects for Final Cut Pro by PremiumVFX
February 18, 2019, 08:15 AM
https://fxfactory.com/blog/effects-2/gitch-effects...
Combine different glitching styles to create modern, energetic results.
Proxy Workflow at Any Resolution, Across a Network
February 18, 2019, 08:15 AM
http://www.fcp.co/final-cut-pro/tutorials/2150-pro...
We have covered different sized proxy generation here before on FCP.co, but not with this level of control and ease. Alex Snelling shows us how easy it is to make very small file sized proxies using Keyflow Pro - and have them link back up to the original media with a click!
Recreating Live Aid's Sound for Bohemian Rhapsody
February 17, 2019, 03:07 PM
https://www.latimes.com/entertainment/envelope/la-...
Much has been written about Rami Malek’s electrifying performance as Queen frontman Freddie Mercury in Fox’s acclaimed biopic “Bohemian Rhapsody.” However, Malek’s portrayal of the charismatic musician wouldn’t have been quite as striking without the work of the movie’s sound editing and mixing teams. The Envelope caught up with sound and music editor John Warhurst, sound editor Nina Hartstone, sound mixer Paul Massey, re-recording mixer Tim Cavagin and sound mixer John Casali earl...
CAS 2019 Winners Best Prediction
February 17, 2019, 08:13 AM
https://www.goldderby.com/article/2019/cinema-audi...
Congratulations to our User Adriano Ariganello for an excellent score of 83.33% when predicting the 2019 Cinema Audio Society Awards winners on Saturday. He is actually tied with justwibi at that percentage but has the better point score total of 4,865 by using the 500 super bets wisely.
How to Create Realtime Grass for Blender Eevee
February 17, 2019, 08:12 AM
https://lesterbanks.com/2019/02/realtime-grass-ble...
CG Geek shows how to create and render realistic grass in real time with Blender 2.8 and Eevee viewport renderer. Steve Lund shows how to make grass in Blender in about 15 minutes. Working in
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