It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 5, 2014, 12:46 PM
http://blog.abelcine.com/2014/06/05/arris-new-amir...
One of the most important features of the new Arri AMIRA is its ability to load 3D LUTs (Look Up Tables), which really allows you to modify the way the camera looks. The ALEXA allows for basic LUTs with ASC CDL adjustments, but the AMIRA goes a step beyond that to allow for full customization of the image.
June 5, 2014, 09:30 AM
http://www.btlnews.com/crafts/camera/icg-talks-col...
The International Cinematographers Guild (IATSE Local 600) will present a panel discussion on "New Workflow Choices and the Director of Photography" at the 2014 Cine Gear Expo in the Sherry Lansing Theatre on the Paramount Pictures lot June 7.
June 5, 2014, 09:28 AM
http://photo.it-enquirer.com/2014/06/fxfactory-plu...
Final Cut Pro X has a colour grading module, but the interface is non-standard and the capabilities are pretty basic. One FxFactory plug-in that tries to fix this is Hawaiki Color. It’s a plug-in that uses the traditional but familiar interface elements for colour grading: colour wheels and sliders, combined with numeric configuration fields. It extends colour grading inside Final Cut Pro X beyond the basics and is great to work with.
June 4, 2014, 02:15 PM
http://www.sgo.es/2014/06/mistika-used-in-bafta-wi...
Sir David Attenborough is the only person to have received a BAFTA in five formats, black and white, colour, HD, 3D and now 4K. SGO’sRead more...
June 4, 2014, 02:14 PM
http://www.studiodaily.com/2014/06/grading-house-o...
Working on a show for Netflix isn't your typical episodic TV job. For one thing, an entire season of TV is released to Netflix viewers all at once, which creates a nontraditional production schedule. For another thing, Netflix is committed … more »
June 4, 2014, 09:48 AM
http://provideocoalition.com/pvcexclusive/story/an...
While Patrick Inhofer is no stranger to ProVideo Coalition, much of his energy and output over the past few years has been on his site, the Tao of Color Grading. His focus there is around color grading & finishing, but he admits that is one part technology, one part art, and ten parts...
June 3, 2014, 12:32 PM
http://news.creativecow.net/story/875932
(Newbury, United Kingdom--June 3, 2014) Quantel has supplied a Genetic Engineering 2 (GE2) system for Sony's 4K installation at the HBS production facility at the forthcoming FIFA World Cup™ in Brazil. Sony is delivery partner to FIFA (Fédération Internationale de Football Association) and host broadcaster HBS for the 2014 FIFA World Cup™.
June 2, 2014, 09:35 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Finishing colorist Anthony Raffaele has joined Technicolor-PostWorks’ (www.technicolorpwny.com) growing roster of film and television talent. Formerly a senior colorist at Deluxe, New York, Raffaele arrives with broad credits in independent film and episodic television.
May 31, 2014, 09:51 AM
http://www.cgmeetup.net/home/nuke-8-new-match-grad...
Check out the new Match Grade tool in NUKE 8, which automatically matches the grade from one clip to another.
May 30, 2014, 04:38 AM
http://news.creativecow.net/story/875899
(London, United Kingdom--May 29, 2014) SGO is proud to sponsor Creative Week which takes place at BAFTA from 2 - 6 June, drawing the television, film and advertising worlds together. Creative Week is the perfect environment for visitors to meet SGO and discover even more about Mistika's remarkable 4K capabilities and Mamba FX's node-based compositing, within the context of an experts forum.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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