When the season starts off well and then goes down

October 12, 2016, 12:37 PM

http://renderplease.com/post/151705272845

5 Reasons You Should Use Adobe Stock for Enterpris

October 12, 2016, 12:37 PM

http://blogs.adobe.com/creativecloud/5-reasons-you...

Enterprises need to develop systems to achieve content velocity. There has never been a stronger demand to create high-quality content quickly and efficiently. The Content Marketing Institute reports that 88% of organizations use content marketing; however, investing in effective strategies and workflows is a major focus for businesses. Adobe Stock for enterprise can help accelerate your organization’s creativity by letting your team spend more time creating and less time managing stock as...

10 PREMIERE PRO TIPS FROM ADOBE VIDEO WORLD 2016

October 12, 2016, 10:32 AM

http://www.premierebro.com/blog/10-premiere-pro-ti...

ADOBE VIDEO WORLD 2016: PRACTICAL PREMIERE PRO TIPS FOR EVERY EDITOR: Adobe Video World 2016 was intense. The event ran six days, and each day averaged six sessions for a total of nine hours a day! (That's not including evening socials or expos.) If you weren't able to attend, wouldn't it be sweet to get in on some of that Premiere Pro action? I think so. And so, for the second year in a row, Premiere Bro brings you these 10 Premiere Pro tips from Adobe Video World.

Avid Technology at AES 2016 in Los Angeles @Avid #

October 12, 2016, 09:26 AM

http://www.broadcastbeat.com/avid-technology-at-ae...

Tony Carridi of Avid and Brooks Forester from Broadcast Beat chat about Avid’s latest announcements at the 2016 AES Show in Los Angeles

Final Cut Pro X Fincher Style Part One

October 12, 2016, 09:26 AM

http://www.fcp.co/final-cut-pro/articles/1863-fina...

Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX when shooting overscan and cropping a centre extraction. 

The Art of the Car Chase

October 12, 2016, 09:24 AM

https://www.aotg.com/the-art-of-the-car-chase/

Editing a car chase is no doubt hard and difficult work. Editing 50 of them together does make it easier depending on how strict your standards of continuity are. I tried to have "sections" of continuity - little scenes, that tell their own little stories, but don't necessarily fit together as such.

Edit Faster with this Dead Simple Trick

October 12, 2016, 09:23 AM

https://www.aotg.com/edit-faster-with-this-dead-simple-trick/

How to Edit Faster with this Dead Simple Trick in Premiere Pro (double your editing speed)

Zack Arnold and Optimize Yourself

October 12, 2016, 08:02 AM

http://www.aotg.com/index.php?page=cuttingroom_198

Gordon sits down with Zack Arnold, founder of FitnessinPost.com, about his new project, Optimize Yourself. This new program is designed to get post-production professionals up and moving with short videos that are full of information.

Westworld (2016)

October 12, 2016, 05:14 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“You can't play God without being acquainted with the devil.” — Dr. Robert Ford ...

Editor Curtiss Clayton on the Hallucination Sequen

October 11, 2016, 05:09 PM

http://www.youtube.com/watch?v=9lWknAoQ0dM

From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive. Curtiss Clayton began an early collaboration with writer/director Gus Van Sant and edited some of his most significant films including "Drugstore Cowboy," "My Own Private Idaho," and "To Die For." He also collaborated with director Jonathan Kaplan on his films, "Brokedown Palace' and "Unlawful Entry.' He has edited six feat...