To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

DaVinci Resolve Live Grade Workflow

May 7, 2014, 12:38 PM

http://news.creativecow.net/story/875683

(Fremont, California--May 7, 2014) Blackmagic Design today announced that UK based On Set Tech (O.S.T.) Ltd has implemented an innovative color management workflow for digital dailies, based on DaVinci Resolve 10 during the filming of Mathew Vaughan’s “The Secret Service,” set for release in March 2015.

NAB a triumph for SGO

May 6, 2014, 04:33 AM

http://www.sgo.es/2014/05/nab-a-triumph-for-sgo/

With ever increasing demand for future-ready post production solutions, SGO reported a highly successful outcome at NAB. Located in the South Hall, the popular MistikaRead more...

SGO reports an NAB triumph

May 2, 2014, 12:52 PM

http://news.creativecow.net/story/875627

(Madrid, Spain--May 2, 2014) With ever increasing demand for future-ready post production solutions, SGO reported a highly successful outcome at NAB. Located in the South Hall, the popular Mistika post production systems and Mamba FX compositing software were showcased at SGO's booth, attracting a lot of visitors, among them content creators, post facilities and widely known broadcasters. SGO's progressive creativity and efficiency in colour grading and finishing received positive feedback resul...

Making LUTs Available to All Projects

May 2, 2014, 12:17 PM

http://24p.com/wordpress/?p=178

In Media Composer 7.x, there is currently no way to differentiate a LUT import intended for all projects versus LUTs that are project specific. Importing a LUT is only available to the project in which it was imported. This is great when moving projects around from system to system,but if there was a LUT that you wanted to use all the time, regardless of project, the workaround is to manually copy the contents of the LUTs folder (found in the project folder) to...

Under The Spell of Blackmagic Design (NAB Show 201

May 2, 2014, 07:38 AM

https://www.aotg.com/under-the-spell-of-blackmagic-design-nab-show-201/

It seems like every year at NAB Show, the one company that is consistently on everyone's radar is the team at Blackmagic Design. And, at the 2014 convention, it was no different with the fine folks over at Blackmagic unveiling a host of new landmark products (Studio Camera, URSA, and more!)

Company 3 Offering Color Grading In Prague

May 1, 2014, 03:28 PM

http://www.hollywoodreporter.com/behind-screen/com...

Company 3 -- whose recent work includes color grading and postproduction on features including Dawn of the Planet of the Apes and X-Men: Days of Future Past -- has started offering its services and roster through RUR, a post house based in Prague.

SGO's Mistika to support Dolby Vision technology

May 1, 2014, 12:31 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — SGO (www.sgo.es) announced that its flagship color grading and finishing platform, Mistika, now supports Dolby’s (www.dolby.com) Dolby Vision technology, enabling the display of high dynamic range (HDR) images with wider color gamut capabilities.

Tektronix Says Existing WFM8300 Waveform Monitor W

May 1, 2014, 12:30 PM

http://www.studiodaily.com/2014/05/tektronix-says-...

Tektronix said its WFM8300 waveform monitor will be upgradeable to UHD (3840×2160). The company didn't officially announce pricing or availability of the upgrade, but said it wanted to have a technology demonstration of the 4K capabilities at NAB in order … more »

Behind the scenes with colorist Thomas Bergman

April 30, 2014, 12:38 PM

http://blogs.adobe.com/movingcolors/2014/04/30/beh...

Recently Adobe TV posted a beautiful video created by Thomas Bergman of Silbersalz Film, a production company located in Stuttgart, Germany. The film is one of my all-time favorites: their production quality is stunning. Their work illustrates the impact of  “creative looks” on moving images, and shows the range of a professional color grading application for shaping narrative visually. Needless to say, I am proud that the company is an all-Creative Cloud, all-SpeedGrade post...

Dolby Vision HDR System Gains Traction with SGO Mi

April 29, 2014, 07:40 PM

http://www.studiodaily.com/2014/04/dolby-vision-hd...

4K was the buzzword at NAB, but even as the industry marched toward ever-higher resolution for acquisition, Dolby Laboratories was making inroads with another approach to the pixel problem. In the weeks leading up the show, FilmLight announced that it … more »

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