To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Plummy Tucker, ACE on editing Destroyer

December 29, 2018, 08:10 PM

https://www.provideocoalition.com/aotc-tucker

Plummy Tucker, ACE, has edited films including Girl Fight, Aeon Flux, Jennifer’s Body, and The Invitation. She was nominated for two Emmy’s in 2011 for Client 9: The Rise and Fall of Eliot Spitzer and Too Big to Fail.

Meet the Editors of The Orville

December 29, 2018, 07:27 AM

https://www.aotg.com/meet-the-editors-of-the-orville/

Avid Presents: Meet the Editors, Tom Costantino, ACE, editor of the Seth MacFarlane show The Orville, and Assistant Editor Hillary Wills talk about using Media Composer | Ultimate for cutting the hilarious meld of sci-fi, action, drama, and comedy.

Editors of 'Black Panther' Explain Marvel's Labor

December 29, 2018, 07:27 AM

https://filmschoolrejects.com/black-panther-editor...

Touted as a well-deserved repeated fave here on Film School Rejects, Black Panther did not just experience some flash-in-the-pan success as yet another installment in the ever-growing Marvel Cinematic Universe. Rather, the legacy of this origin story will continue to inform our expectations of all the films to come, even as it moves forward toward higher stakes of inevitable doom and welcome rebirth.

How to Keyframe Track Masks With MochaImport+

December 28, 2018, 01:10 PM

https://lesterbanks.com/2018/12/keyframe-track-mas...

Eric D. Kirk Shows How to Create Keyframeable Track Masks in After Effects Using MochaImport+. If you use After Effects and Mocha together for VFX work, you probably already know about MochImport+. MamoWorld’s Ae script

The ten best films of … 1928

December 28, 2018, 01:10 PM

http://www.davidbordwell.net/blog/2018/12/28/the-t...

La passion de Jeanne d’Arc Kristin here: Time for our twelfth annual alternative to the usual list of the ten best films of the current year. Instead, I offer a list from 90 years ago, in part for fun and in part to call attention to some lesser-known classics that are worth discovering. (See here […]

Elevate your iMac monitor with the new Type-C Hub

December 28, 2018, 01:10 PM

https://www.provideocoalition.com/elevate-your-ima...

Elevate your iMac monitor for a optimal viewing level and a more comfortable working environment and at the same time get all the ports you need right in front of you, with the new product from Satechi.

A Short Introduction to C4D Context Nodes

December 28, 2018, 10:48 AM

https://lesterbanks.com/2018/12/introduction-c4d-c...

Maxon’s Jonas Pilz Covers the Powerful Context Nodes in R20’s Node-Based Materials Editor. C4D R20’s node editor offers a new and powerful way to create materials. Node-based materials give you a new way to create

The new Colorful SL500 2TB SSD

December 28, 2018, 10:47 AM

https://www.provideocoalition.com/the-new-colorful...

Samsung introduced the 860 QVO SSD last November, with the 2TB version costing nearly $300. Now Colorful announces the SL500 2TB SSD, and the final price may be $180-200.

ILM on Creating Lando's Falcon

December 28, 2018, 10:47 AM

https://www.artofvfx.com/solo-a-star-wars-story-cr...

The team of Industrial Light & Magic talk about the creation of the Millenium Falcon for SOLO – A STAR WARS STORY...

Motion Capture for Mowgli

December 28, 2018, 06:51 AM

https://www.slashfilm.com/the-morning-watch-the-mo...

over at Vanity Fair, Mowgli: Legend of the Jungle director and motion capture star Andy Serkis provides an extensive breakdown of a scene involving Christian Bale’s performance as Bagheera the panther. Serkis talks about the intentionally unrealistic design of the animals, especially when it comes to their faces, and how motion capture made it possible.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.