To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editor Tatiana S. Riegel, ACE (I, Tonya)

December 11, 2018, 06:11 AM

https://www.youtube.com/watch?v=Mh1zLazB-P0

Tatiana S. Riegel, ACE, editor of the Oscar-nominated I, Tonya, talks about the importance of timing and how it can create the story from the different parts of each scene, to work the material and convey the emotion to bring out the story. VISIT http://www.avid.com/media-composer Follow Avid Media Composer: Facebook: https://facebook.com/avidmediacomposer Instagram: https://instagram.com/avid.mediacomposer Twitter: https://twitter.com/mediacomposer LinkedIn: https://www.linkedin....

Adobe adds ProRes export support on Windows

December 11, 2018, 06:11 AM

https://www.provideocoalition.com/adobe-adds-prore...

Today may very well be seen as a seminal moment in post-production as Adobe announced ProRes encode and export support on the Windows platform. Check your Creative Cloud app as the update is rolling out.

Pixar and the Craft of Storytelling

December 11, 2018, 06:11 AM

https://gointothestory.blcklst.com/pixar-and-the-c...

20 movies produced. 19 movies #1 at the box office. Worldwide B.O. gross $13.3 billion. Average B.O. per film: $663M by far the highest average per film of any studio in Hollywood history.

Crazy Rich Asians VFX

December 11, 2018, 06:10 AM

https://www.artofvfx.com/crazy-rich-asians-vfx-bre...

Pixomondo presents their invisible work on CRAZY RICH ASIANS...

Premiere adds Apple ProRes export for Windows

December 11, 2018, 06:10 AM

https://www.newsshooter.com/2018/12/11/premiere-pr...

Premiere Pro CC 13.0.2 adds Apple ProRes export support for Windows. Adobe Premiere Pro CC 13.0.2 update has added ProRes export support for Windows users.

Creating the Kessel Run ILM

December 11, 2018, 06:10 AM

https://www.artofvfx.com/solo-a-star-wars-story-ke...

Industrial Light & Magic presents the Kessel Run sequence on SOLO – A STAR WARS STORY...

Next Step Hologram

December 11, 2018, 06:10 AM

https://www.rollingstone.com/culture/culture-lists...

With the dawn of AI and the rise of social media, technology is scarier — and more exciting — than ever. Here’s how it’s changing music, TV, sports and more

MOVIE NIGHT! “TERROR NULLIUS” – SYDNEY

December 11, 2018, 06:10 AM

https://www.screeneditors.com.au/movie-night-terro...

MOVIE NIGHT! A (semi) regular event where Editors show and discuss their work. EXTRA! EXTRA! Movie Night is verrrry excited to be able to bring you an extremely special event! New York based sample artists Soda_Jerk will be in Sydney in January, and have agreed to join us for a break-down of their controversial work […]

Veteran colorist Walter Volpatto joins Efilm

December 10, 2018, 01:18 PM

https://postperspective.com/veteran-colorist-walte...

Walter Volpatto, a colorist with 15 years under his belt, has joined LA’s Efilm. His long list of credits includes Dunkirk, Star Wars: The Last Jedi and, most recently, Amazon Studios’ series Homecoming. As a colorist, Volpatto’s style gravitates toward an aesthetic of realism, though his projects span genres from drama and action to comedy and documentary, Continue reading → December 10, 2018 The post Veteran colorist Walter Volpatto joins Efilm appeared first on Randi Altman's...

Technicolor welcomes colorists Andrew Francis and

December 10, 2018, 01:18 PM

https://postperspective.com/technicolor-welcomes-c...

Technicolor in Los Angeles will be beefing up its color department in January with the addition of colorists Andrew Francis and Trent Johnson. Francis joins Technicolor after spending the last three years building the digital intermediate department of Sixteen19 in New York. With recent credits that include Second Act, Night School, Continue reading → December 10, 2018 The post Technicolor welcomes colorists Andrew Francis and Trent Johnson appeared first on Randi Altman's postPerspective.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.