To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colour grading in your DSLR or in post

June 7, 2016, 12:23 PM

http://www.provideocoalition.com/colour-grading-ds...

While for many cinematographers the ideal path goes through a colour correcting and colour grading process in post, something that makes complete sense for many productions, independent videographers will, many times, also because they work alone, try to get as much done in camera as possible. There is also another reason, I believe, for this: The post Colour grading in your DSLR or in post appeared first on ProVideo Coalition.

10. Basic Training Davinci Resolve 12

June 7, 2016, 05:19 AM

http://feedproxy.google.com/~r/norendercom/~3/Ut_E...

Exportación Este es el último vídeo de nuestro Curso Básico Davinci Resolve 12 y en […]

SAM Says Quantel Rio Supports Color Science in Pan

June 6, 2016, 09:26 AM

http://www.studiodaily.com/2016/06/sam-says-quante...

Snell Advanced Media (SAM) said that its Quantel Rio is the first finishing system to support the color science embedded in the Panavision Millennium DXL camera system announced last week. The DXL camera features something called Light Iron Color, a proprietary image-mapping … more » The post SAM Says Quantel Rio Supports Color Science in Panavision DXL appeared first on Studio Daily.

How to Use LUTs in FCPX

June 3, 2016, 12:02 PM

https://www.aotg.com/how-to-use-luts-in-fcpx/

Here's my advice on the best way to use LUTs in FCPX.

Resolve in Under 5 Min: Using Smart Filters for Gr

June 2, 2016, 09:18 AM

https://www.aotg.com/resolve-in-under-5-min-using-smart-filters-for-gr/

In this episode, Alexis Van Hurkman shows you how to grade faster using smart filters in DaVinci Resolve.

Pro Insights from Colorist Mark Todd Osborne

June 1, 2016, 10:23 AM

http://www.premiumbeat.com/blog/pro-insights-from-...

Rockstar pro colorist Mark Todd Osborne shares stories and insight from his celebrated career in color. If you want to know how to break into the big leagues, start here.

Mainichi Productions Installs Cintel Film Scanner

June 1, 2016, 10:21 AM

https://www.aotg.com/mainichi-productions-installs-cintel-film-scanner/

Blackmagic Design announced today that Tokyo based film production house Mainichi Productions has installed Cintel Film Scanner.

#film#post production#film scanner
Review – The Tangent Ripple affordable color gra

May 31, 2016, 05:11 AM

http://www.provideocoalition.com/tangent-ripple-re...

Many years ago I wrote an article at Studio Daily called Poor man’s color control surface. This was a time before Resolve was free, before Premiere had Lumetri, and the Color Board was just a glint in Apple’s eye. I found that it was a quite useful to take a Kensington trackball and use its The post Review – The Tangent Ripple affordable color grading control surface appeared first on ProVideo Coalition.