To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
3 Ways to Adjust The Speed of a Clip in Premiere
November 24, 2018, 06:43 AM
https://www.rocketstock.com/blog/adjust-speed-clip...
No matter the experience or number of projects you’ve worked on in Premiere, you probably have a set workflow for whatever you’re editing. But, every now and then, we try something new that challenges us as filmmakers, editors, and artists. So, let’s take a look at three different ways you can play with speed and time in Premiere Pro. Don’t be scared, they’re super simple.
Getting Started With Tracking Basics in Mocha 2019
November 23, 2018, 01:24 PM
https://lesterbanks.com/2018/11/getting-started-wi...
Ben Brownlee Covers the Basics of Planar Tracking to Create a Screen Replacement in Ae or Premiere. Boris FX’s new Mocha Pro 2019 offers more features for tracking and rotoscoping workflows and faster experience, offloading
Creating the sound for the animated film, Tightly
November 23, 2018, 01:24 PM
http://designingsound.org/2018/11/23/creating-the-...
Working in post sound, there tends to be a lot of commonalities between projects. In general, we don’t start work until the picture has been shot and edited. When the files come in, we divide up the editing, record foley, record adr, and schedule the final mix. The post sound process for an animated film […]
Get to Know the Unity HD Rendering Pipeline With C
November 23, 2018, 01:24 PM
https://lesterbanks.com/2018/11/unity-hd-rendering...
Glass Hand Studios Covers the Basics of Working With C4D and the Unity HD Render Pipeline. More and more these days it seems that real-time graphics is the solution to a lot of the industries
Render Legion ships Corona Renderer 3 for 3ds Max
November 23, 2018, 01:24 PM
http://www.cgchannel.com/2018/11/render-legion-shi...
Render Legion has released Corona Renderer 3 for 3ds Max, the latest version of its production renderer, adding support for Nvidia’s OptiX GPU-based denoising.
The editing team of "Creed II"
November 23, 2018, 01:24 PM
https://www.provideocoalition.com/aotc-creed
Dana Glauberman, ACE, has previously edited Juno, Love Happens, Up in the Air, and No Strings Attached. She has also worked on the editing teams of Mean Girls, House of Sand and Fog and Pirates of the Caribbean: The Curse of the Black Pearl.
WA CHRISTMAS DRINKS
November 23, 2018, 05:31 AM
https://www.screeneditors.com.au/wa-christmas-drin...
SA CHRISTMAS CATCHUP
November 23, 2018, 05:31 AM
https://www.screeneditors.com.au/sa-christmas-catc...
How to Advect Particles in Houdini With Redshift t
November 23, 2018, 05:31 AM
https://lesterbanks.com/2018/11/advect-particles-h...
Ahmed Adel Shows How to Advect Particles in Houdini Redshift to Create a Dragon. FX Artist Ahmed Adel has a nice walkthrough of a little POPs experiment with Houdini 17 and Redshift. The process demonstrates
How to Create 2-Sided Wireframe Renders With Arnol
November 22, 2018, 01:08 PM
https://lesterbanks.com/2018/11/2-sided-wireframe-...
3D Splanchnic Shows a Nice Technique for Adding More Intrest to Wires by Making 2-Sided Wireframe Renders. Arnold Render makes it reasonably straightforward to create wireframe renders. There is a tool for that, the aiWirefame
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