It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 13, 2018, 07:20 AM
http://www.postmagazine.com/Press-Center/Daily-New...
FREMONT, CA — Blackmagic Design’s Ursa Mini Pro digital film cameras and DaVinci Resolve Studio were used to produce and post the new feature film The Oath. Written, directed by and starring Ike Barinholtz, The Oath also stars Tiffany Haddish, Billy Magnussen, John Cho and Carrie Brownstein. The independent film, being distributed by Roadside Attractions, explores how in a politically divided America, a man struggles to survive Thanksgiving without destroying his family. After the ...
November 13, 2018, 07:20 AM
http://www.fcp.co/final-cut-pro/articles/2127-the-...
What is Final Cut Pro X like running on a new Mac mini? We take a look at the new model, its features and how well FCPX performs. It even beats an iMac Pro in one of our tests!
November 13, 2018, 07:20 AM
https://postperspective.com/behind-title-picture-s...
NAME: Alex Martin COMPANY: Picture Shop Post TITLE: Workflow Specialist CAN YOU DESCRIBE YOUR COMPANY? While Picture Shop is two years old, our team has decades of experience. A majority of our employees here know each other through some previous career venture. Continue reading → November 12, 2018 The post Behind the Title: Picture Shop workflow specialist Alex Martin appeared first on Randi Altman's postPerspective.
November 13, 2018, 07:19 AM
https://lesterbanks.com/2018/11/noise-arnold-paint...
Arvid Schneider Covers How to Create a Paint Chip Effect in Maya With Arnold Procedurally. Procedurally creating shaders has a few advantages. Two most predominant are that they are more flexible and easy to alter
November 13, 2018, 07:19 AM
https://www.provideocoalition.com/the-oath-shot-wi...
The film “The Oath” was shot with several URSA Mini Pro digital film cameras and edited and graded with DaVinci Resolve Studio. I mean who does not love a filmmaker make their story work on a Blackmagic camera.
November 13, 2018, 07:18 AM
https://www.allanmckay.com/167/
This is Allan McKay. Welcome to Episode 167! I’m speaking with Rory McGregor, the CEO of Cospective, the company that created cineSync which is a platform that’s a backbone of how directors and supervisors in the film and game industry are able to communicate. This is a fun Episode!
November 12, 2018, 02:55 PM
https://postperspective.com/milk-vfx-provides-926-...
London’s Milk VFX, known for its visual effects work on Adrift, Annihilation and Altered Carbon, has just completed production on YouTube Premium’s new sci-fi thriller original series, Origin. Milk created all of the 926 VFX shots for Origin in 4K, encompassing a wide range of VFX work, Continue reading → November 12, 2018 The post Milk VFX provides 926 shots for YouTube’s Origin series appeared first on Randi Altman's postPerspective.
November 12, 2018, 02:55 PM
https://lesterbanks.com/2018/11/houdini-new-fallof...
Tyler Bay Covers Houdini’s New Falloff Node to Control a Variety of Effects. New to Houdini 17 is a new Falloff Node. The node lets you set an attribute based on surface distance. That all
November 12, 2018, 02:55 PM
http://www.studiodaily.com/2018/11/sgo-tweaks-mist...
SGO said it will be showing a new version of its Mistika Ultima 8K System finishing platform, with hardware and software designed specifically for the resolution-conscious Japanese market, at Inter BEE in Tokyo later this week. With a storage configuration tuned for high-resolution workflow, SGO said, the Mistika Ultima 8K supports real-time uncompressed 8K UHD […] The post SGO Tweaks Mistika Ultima for 8K Finishing appeared first on Studio Daily.
November 12, 2018, 02:55 PM
https://news.creativecow.net/story/894898
(Knoxville, TN--November 12, 2018) Waves Audio, a leading provider of digital signal processing solutions, introduces the Waves Axis One, a Waves-Optimized Computer. Waves Axis One is a standardized computer, custom-designed and optimized to run Waves audio applications. Packed in a road-hardy half-rack 2U case, Axis One is a trustworthy turnkey solution for live sound, broadcast and the studio.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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