To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editor Georgia Dodson joins Wax in NYC

June 6, 2016, 12:22 PM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK — Boutique editorial company/creative collective Wax (http://wax.tv) has added Georgia Dodson to its roster of editors. She brings a heartfelt and passionate docu-style editing style to the studio.

Using Graduated & Vignette Masks in FCPX

June 6, 2016, 12:21 PM

https://www.aotg.com/using-graduated-vignette-masks-in-fcpx/

Masks allow us to modify or hide portions of an image. While most often used in chroma (or green-screen) keys, masks have a wide variety of uses. In this webinar, "Masks in Final Cut Pro X", we explore how to use them in Apple Final Cut Pro X.

Create Masks For Chroma-Keys in Adobe Premiere Pro

June 6, 2016, 12:21 PM

https://www.aotg.com/create-masks-for-chroma-keys-in-adobe-premiere-pro/

Masks allow us to modify or hide portions of an image. Masks are highly-versatile tools in Premiere Pro and the new auto-tracking tools make them almost indispensable.

Adorama Announces Next Generation Platforms

June 6, 2016, 11:49 AM

https://www.aotg.com/adorama-announces-next-generation-platforms/

Exceptional design and on-demand viewing experience enriches viewer engagement across Adorama educational, editorial and creative online channels

#broadcasters#television#virtual portal#photographers#digital storytelling
Building a 4k Editing PC Vs. Mac

June 6, 2016, 09:25 AM

http://www.4kshooters.net/2016/06/06/building-a-4k...

First, I’d like to say that this article isn’t meant to imply any conclusions regarding which one of the suggested custom build PC or the 5K Retina iMac is the better editing workstation. I’m sure all of you have personal preferences leaning toward one or the other of the two systems.

*Lulú*, por Rosario Suárez (SAE)

June 6, 2016, 05:46 AM

http://saeditores.org/Novedades/Lulu-por-Rosario-S...

Una síntesis personal de la edición por sus artífices.

H.264 Recording Capabilities Now Available for Vid

June 6, 2016, 05:44 AM

http://www.digimediapros.com/h-264-recording-capab...

Video Devices has announced that Firmware Version 3.00 for its PIX-E Series of 4K recording monitors is now available that allows H.264 recording.

Editing: The Kuleshov Effect Put to the Test

June 6, 2016, 05:44 AM

https://www.aotg.com/editing-the-kuleshov-effect-put-to-the-test/

The Kuleshov Effect is a film editing (montage) effect demonstrated by Russian/Soviet filmmaker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon by which the audience derives more meaning from the interaction of two sequential shots than from a single shot in isolation.

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