It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 1, 2020, 04:40 PM
https://www.artofvfx.com/lovecraft-country-grant-w...
Grant Walker began his career in visual effects in 2006 at The Mill. He then joined MPC in 2009 before joining Framestore in 2010.
September 1, 2020, 04:40 PM
https://www.artofvfx.com/pinocchio-vfx-breakdown-b...
UK studio One of Us reveals how they extend the famous nose of Pinocchio and also how they created the various creatures for PINOCCHIO...
August 27, 2020, 03:53 PM
https://bitmovin.com/press-room/bitmovin-and-telep...
Bitmovin, a leading provider of video infrastructure for digital media companies around the world, has partnered with Teleport Media, a decentralized video delivery technologies provider, to implement a wide array of technological solutions for Okko, one of the largest Video on Demand (VoD) services in Russia.
#video#infrastructureAugust 26, 2020, 04:57 PM
https://deadline.com/2020/08/watchmen-vfx-supervis...
On Watchmen, VFX supervisor Erik Henry was presented with a project of incredible ambition and scale, finding in the series the opportunity to bring myriad worlds and time periods to life, while offering a fresh take on an iconic comic book world.
August 26, 2020, 04:57 PM
https://www.awn.com/news/uk-screen-alliance-update...
Industry trade body, UK Screen Alliance, has published version 2.0 of its “Guidance for COVID-Safe Working in Post-Production and VFX.” Produced in consultation with UK Screen Alliance members, DCMS, the British Film Commission, BFI, PACT and BECTU, the updated guidance responds to the government’s policy direction of encouraging a safe return to on-premises working.
August 26, 2020, 01:41 PM
https://www.artofvfx.com/watchmen-vfx-breakdown-by...
Important Looking Pirates has release this VFX Breakdown about their work on the HBO series, WATCHMEN...
August 25, 2020, 04:37 PM
https://www.artofvfx.com/project-power-ivan-moran-...
In 2017, Ivan Moran explained the work of Framestore on GHOST IN THE SHELL. He then worked on MOWGLI. He talks today about his work as Overall VFX Supervisor on the movie Netflix, PROJECT POWER...
August 25, 2020, 01:13 PM
http://www.cgchannel.com/2020/08/unity-files-for-i...
Game engine developer Unity Technologies has filed for an Initial Public Offering, aiming to become a publicly traded company on the New York Stock Exchange.
August 25, 2020, 01:13 PM
http://www.cgchannel.com/2020/08/borisfx-launches-...
BorisFX has launched BorisFX Suite, a new all-in one product bundle of its VFX and motion graphics tools.
August 25, 2020, 01:13 PM
https://beforesandafters.com/2020/08/25/perry-maso...
HBO’s Perry Mason re-boot is set in LA in the 1930s. This meant, of course, that several scenes needed the visual effects treatment to appear to be that period. Below, Digital Domain VFX supervisor Mitch Drain explains his studio’s work on that aspect of the show in augmenting street scenes, crafting a cable-car and fitting into the film noir look of the show.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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