To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FilmConvert – Color Grading and Film Look Tools

October 22, 2018, 04:36 AM

https://doddlenews.com/doddlereviews-filmconvert-c...

If you’re looking for an affordable and easy way to get a terrific film look, from film stock to color and grain, FilmConvert is an ideal plug-in every editor should consider purchasing (and it supports quite a few popular NLEs). You simply drop the filter onto your footage, select your camera profile, how it was filmed, the film stock you’d like, and it’ll look great. But you can do some serious color grading in the Camera Controls, and still end up with a terrific film look for your proj...

Solutions to Resolve Part 3: Unexpected clipping w

October 22, 2018, 04:36 AM

https://www.provideocoalition.com/solutions-to-res...

One of the great features of Resolve is that it works in 32bit float. This means that it can cope with a virtually limitless dynamic range, and, most importantly, it will conserve that range however much you raise or lower the video levels from one node to another.

7 More Pro Tools Functions I Cannot Live Without

October 22, 2018, 04:35 AM

https://www.pro-tools-expert.com/home-page/2018/10...

My name is Lucy J Mitchell and I am a freelance Sound Editor and Dubbing Mixer for TV, Film and Computer Games living on the Surrey-London border and have been working in the Audio Post Production industry for almost 10 years. Pro Tools has SO many functions, some of which have been cleverly added over time thanks to user experience feedback, so well done you!

The Keys to Finding a Compatible Editor

October 22, 2018, 04:35 AM

https://www.moviemaker.com/archives/moviemaking/ed...

What every helmer needs from an editor is "great taste, a sense of timing," and someone who "accentuates the poetry of your story by creating an associative flow," says Beautiful Boy writer-director Felix Van Groeningen.

The Truth About Algorithms

October 21, 2018, 01:08 PM

https://lesterbanks.com/2018/10/the-truth-about-al...

Niceshit Studios were commissioned by the RSA London to develop an animation to go along the words of the always amazing Cathy O’Neil. She is a kickass mathematician and In this excerpt she focus on algorithms,

Music In Film: WHEN Should You Use It In A Scene?

October 21, 2018, 07:32 AM

https://www.aotg.com/music-in-film-when-should-you-use-it-in-a-scene/

This fight scene from Atomic Blonde doesn't need music. Or does it?

Resolve 15.1.2 and BRAW 12:1 Footage

October 21, 2018, 07:31 AM

https://www.4kshooters.net/2018/10/21/blackmagic-d...

Blackmagic Design recently released a new update to DaVinci Resolve 15. With the latest Resolve 15.1.2 update, several addresses issues and bug fixes are addressed. Resolve 15.1.2 fixes issues where running DaVinci Resolve on case sensitive drive volumes would cause problems in prior versions, and also includes stability improvements for Windows laptops running CUDA acceleration.

The Reality About Failure In Hollywood by Jeffrey

October 21, 2018, 07:31 AM

http://filmcourage.com/2018/10/20/the-reality-abou...

Film Courage: You said something earlier on writing something which you are precious about, that at some point there is a letting go process knowing once it’s out of your hands it may be changed?

Adobe launches Premiere Rush CC for social video

October 20, 2018, 02:41 PM

https://postperspective.com/adobe-launches-premier...

At the Adobe Max Creativity Conference, Adobe introduced Adobe Premiere Rush CC, the first all-in-one video editing app for social media creators that simplifies video creation and sharing on platforms such as YouTube and Instagram. Designed specifically for online video creators, Premiere Rush CC integrates capture, intuitive editing, simplified color, audio and motion graphics with seamless publishing to leading social platforms, Continue reading → October 20, 2018 The post Adobe laun...

How to Fix Light Fringe When Using Octane Fog

October 20, 2018, 02:40 PM

https://lesterbanks.com/2018/10/fix-light-fringe-o...

The Pixel Lab Shows How to Get Rid of Light Fringe When Rendering Octane Fog. You have your scene all set up, and it looks fantastic with moody fog and atmosphere. What’s this? There is

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