To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Color Grading Breakdown Series - Shot 07

January 24, 2014, 05:28 PM

http://blog.iseehue.com/color-grading-breakdown-se...

For this week’s Color Grading Breakdown, I picked a shot from a music video I shot and directed a little over a year ago. I chose this shot because it was done with very basic gear that most of you guys should have acces too: a Canon Rebel T3i, a tripod (optional), a computer, a friend and a street. Get out there, shoot something and grade it! That’s pretty much what I did. Since I was working for myself without any clients, I did my grading in After Effects. I knew I wanted something greeni...

Color Concepts and Terminology

January 24, 2014, 06:08 AM

http://digitalfilms.wordpress.com/2014/01/24/color...

It’s time to dive into some of the terms and concept that brought up modern color correction software. First of all – color grading versus color correction. Many use these terms to identify different processes, such as technical shot matching versus giving a shot a subjective “look”. I do this too, but the truth of […]

Pixelmator Updated With 16-Bit Color

January 23, 2014, 11:50 AM

http://www.macrumors.com/2014/01/23/pixelmator-16-...

Pixelmator has updated its image editing software to version 3.1, adding full support for the new Mac Pro, including 16-bit per channel images, full GPU support, and optimizations for the multi-core processors in the new machine.

Blackmagic updates DaVinci Resolve to Version 10.1

January 23, 2014, 11:48 AM

http://postperspective.com/2014/01/blackmagic-upda...

Fremont, California — Blackmagic Design has released a new version of its DaVinci Resolve software. V.10.1 adds new editing and 3D stereoscopic features as well as support for Final Cut Pro X 10.1. DaVinci Resolve 10.1 is available now for download free of charge for existing DaVinci Resolve customers from http://www.blackmagicdesign.com. The DaVinci Resolve 10.1 update […]

Interview: Ian Vertovec on Color Correction

January 22, 2014, 01:38 PM

http://moveablefest.com/moveable_fest/2014/01/ian-...

The DI colorist who's collaborated with directors from Destin Daniel Cretton to David Fincher talks about what his work entails and creating new looks.

VIDEOTUTORIAL: Edición con DaVinci Resolve 10

January 22, 2014, 06:01 AM

http://www.finalcutpro.es/2014/01/videotutorial-ed...

Una de las novedades más importantes que trajo la versión 10 de DaVinci Resolve es la mejora en la parte de edición. Puede que el programa aún no pueda competir de tú a tú con un software de montaje especialmente diseñado para esa labor, pero está cerca. En este vídeo te mostramos las opciones más […]

UK Colourists Want Their Say On New Cameras

January 22, 2014, 05:57 AM

http://www.definitionmagazine.com/journal/2014/1/2...

DCA (Digital Colour Association) is a new group made up of Colourists, Digital Image Technicians, Colour scientists and a couple of editors. Asa Shoul, a senior colourist at Molinare in London has been one of the founders of the group, “The idea was basically with the advent of more digital cameras and the need for on-set monitoring or LUTs that we all try and get together to try and share some information and find some common ground.

Movies In Color: Truffaut Week Bed and Board

January 20, 2014, 05:47 AM

http://moviesincolor.com/post/73916464093/francois...

Francois Truffaut Week Bed & Board, 1970 color breakdown

Las 10 mejoras de la actualización 10.1 de Davinc

January 20, 2014, 05:46 AM

http://feedproxy.google.com/~r/norendercom/~3/0CNn...

El viernes pasado se actualizó Davinci Resolve a la versión 10.1 y después de haber […]

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