It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 20, 2014, 05:45 AM
http://vanhurkman.com/wordpress/?p=2054
One of the most frequently asked questions I’ve gotten over the years is “I’m planning on using a plasma display for color critical monitoring, but I’m not sure how to calibrate it.” I’ve been putting off answering this question for months, as the answer has, until recently, been a bit more complicated then I’ve wanted it to be. However, recent developments – specifically the release of DaVinci Resolve 10 – have dramatically simplified this process, making LUT calibration easie...
January 20, 2014, 05:44 AM
http://www.bosfcpug.org//bmd_announce_resolve_10_1...
Fremont, CA, USA - January 17, 2014 - Blackmagic Design today announced the release of DaVinci Resolve 10.1 software which adds new editing and 3D stereoscopic features as well as support for Final Cut Pro™ X 10.1. DaVinci Resolve 10.1 is available now for download free of charge for all existing DaVinci Resolve customers from the Blackmagic Design website.
January 20, 2014, 05:44 AM
http://www.panoramaaudiovisual.com/2014/01/20/davi...
Blackmagic Design has announced the release of version 10.1 of the DaVinci Resolve software, which offers new features for stereoscopic 3D, editing tools and compatibility with Final Cut Pro X 10.1...
January 18, 2014, 08:41 AM
http://www.dvinfo.net/optical-science/is-p3-the-ne...
New OLED monitors are able to display most of the DCI P3 color space, something that was previously impossible to do without a digital projector and a very dark room. Some are saying that on-set monitoring in P3 is a natural next step given that most cameras out there can capture wide gamut color. Is Read More
January 17, 2014, 11:16 AM
https://www.aotg.com/meher-shot-on-blackmagic-cinema-cameras/
Fremont, CA - January 17, 2014 - Blackmagic Design today announced that “Me+Her,” a live action short film by Island Creek Pictures premiering at the Sundance Film Festival, was shot on the Blackmagic Cinema Camera (MFT). The Blackmagic Pocket Cinema Camera was also used for a number of specific shots requiring a smaller camera form factor.
#blackmagic design#davinci resolve#sundance#blackmagic cinema camera#pocket cinema cameraJanuary 16, 2014, 11:00 AM
http://layersmagazine.com/color-correction-in-prem...
This tutorial covers basic color correction in Premiere Pro. Daniel Bryant goes over three different ways to correct color in Premiere Pro. The first is using the Fast Color Corrector. The next way is through a Levels adjustment. The third way is using the Three-way color corrector. Follow along and learn how to get the best-looking video you can.
January 15, 2014, 02:26 PM
http://jonnyelwyn.co.uk/film-and-video-editing/mor...
Another huge round up of DaVinci Resolve colour grading tutorials on everything from creating looks with the mixer node, to a Premiere CC to Resolve workflow, grading music videos and much more!
#color grading#premiere pro#davinci resolve#tutorials#creating looks#worfklowJanuary 15, 2014, 02:10 PM
http://www.premiumbeat.com/blog/impressive-color-g...
One of the best ways to refine your color grading skills is to study the work of other pro colorists. In this post, we share a few breakdown videos that will give you detailed insight into how shots were graded.
January 13, 2014, 05:31 PM
http://hdslrshooter.com/davinci-resolve-used-grade...
Graded by Prehistoric Digital, a post house out of Santa Monica, the hit singer Lorde’s latest music video also used Teranex 2D video processor to “…complete a range of standards conversions to get the new music video ready for an international audience”.
January 13, 2014, 05:40 AM
http://events.creativecow.net/event/3380/ica-101-a...
A great introduction to Resolve Mac V10 software. This class is ideal for first time users, you do not need to be a Colorist or have had previous grading or Resolve experience. The class mixes the operational side of Resolve with some practical real world training on workflows, basic color theory, grading approaches and techniques.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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