To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
How to edit and color grade 4K RAW
October 20, 2013, 08:23 AM
http://wolfcrow.com/blog/how-to-edit-and-color-gra...
How to edit and color grade 4K RAW on a laptop
Making Video look Filmic with OSIRIS LUTs
October 19, 2013, 01:08 PM
http://vashivisuals.com/making-video-look-like-fil...
I wanted to test out VisionColor’s new LUT package ‘OSIRIS’. It consists of 9 film stock and color emulations that to my eye...are very cinematic and organic feeling. My video test is at the bottom of the link.
SpeedGrade CC – Look Manager
October 19, 2013, 08:28 AM
http://creativeclouduser.com/speedgrade-cc-look-ma...
Look Manager allows you to quickly manage grades as well as share them with Premiere Pro CC...
Printer Light Hotkeys in DaVinci Resolve
October 15, 2013, 12:36 PM
http://www.premiumbeat.com/blog/printer-light-hotk...
Quickly white balance shots in your color grading app with hotkeys. In this post we share the printer light hotkeys for DaVinci Resolve, a simple way to speed up your color grading workflow.
DaVinci Resolve 10, BETA NOW AVAILABLE
October 14, 2013, 04:28 AM
http://www.panoramaaudiovisual.com/2013/10/14/davi...
10 DaVinci Resolve Blackmagic now available in beta significant improvements including new features to integrate different workflow products used in the movie industry and television.
Color Calculator
October 13, 2013, 08:11 AM
http://www.liftgammagain.com/forum/index.php?threa...
I found this today and it is awesome !!! Choose a starter color to calculate its colour wheel including triad, complementary, analogous, and split...
Color Correction Tips From Steve Hullfish
October 13, 2013, 08:11 AM
http://www.allmediaproduction.net/2013/10/video-co...
Video: Color Correction Tips From Steve Hullfish by Terence Curren...
Understanding Color Correction in NUKE
October 10, 2013, 09:51 AM
http://lesterbanks.com/2013/10/understanding-color...
In a continuation of his Nuke in Production series, Dave Scotland takes a look at Nuke’s color correction and color grading tools providing a good foundation for the types of tools that are available in Nuke and how they might be incorporated in a workflow.
IBC 2013: Filmlight’s Martin Tlaskal talks color
October 7, 2013, 05:49 PM
http://postperspective.com/2013/10/ibc-2013-filmli...
Using LUTs in my editing workflow
October 4, 2013, 06:37 PM
http://davidtregde.wordpress.com/2013/10/02/using-...
Because I'm in post production on my current project, I'm going to talk a little bit on how I use lookup tables (LUTs) in my workflow. According to Wikipedia, a 3D LUT remaps the color space of your image. Traditionally, LUTs were used on high end monitors by editors and colorists to replicate what a…
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