To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Compressor Attack And Release Times
September 22, 2018, 05:49 AM
https://www.pro-tools-expert.com/home-page/2018/8/...
When getting to know compression it's really common for people to use percussive sounds. That's understandable as they are ideal for getting to know the important controls, particularly the attack and release controls. In this premium video tutorial, Pro Tools Expert Team member Julian Rodgers explores the effect of attack and release times on sounds with slower dynamic changes.
IBC 2018: AJA's Bryce Button
September 21, 2018, 12:06 PM
https://www.youtube.com/watch?v=tOnwrq6-Otk
At IBC, AJA introduced a variety of updates, including Kona 5 with 12G-SDI I/O and HDMI 2.0 monitoring/output for workstations or Thunderbolt 3-connected chassis.
Netflix Forms Post Technology Alliance
September 21, 2018, 12:05 PM
http://www.studiodaily.com/2018/09/netflix-forms-p...
Netflix is putting its stamp of approval on a variety of production and post-production tools via the Netflix Post Technology Alliance (NPTA). The NPTA logo identifies products that have been developed in collaboration with Netflix to meet the company’s technical and delivery specifications. Netflix said it will hold a technology briefing for NPTA members in conjunction with […] The post Netflix Forms Post Technology Alliance appeared first on Studio Daily.
Animate a Multi-Line Chart With After Effects
September 21, 2018, 12:05 PM
https://lesterbanks.com/2018/09/animate-multi-line...
Noble Kreative Shows How to Create a Multi-Line Chart Element in After Effects Without Third Party Tools. Najib Khayati (Noble Kreative’s) motion graphics tutorial series in After Effects has another installment. The latest takes a
Troy Saliba to Present VFX of ‘Venom’
September 21, 2018, 12:05 PM
https://www.awn.com/news/troy-saliba-present-vfx-v...
The veteran animation director, along with DFX supervisor Aharon Bourland, will detail DNEG’s work on Marvel and Sony’s upcoming superhero-adventure film at next month’s Turin event.
Andrew Morley named head of VFX at Outpost
September 21, 2018, 09:27 AM
http://www.postmagazine.com/Press-Center/Daily-New...
BOURNEMOUTH, UK — Visual effects supervisor Andrew Morley, known for his contributions to Avengers: Infinity War and Fantastic Beasts and Where to Find Them, is set to join Outpost VFX as the studio’s head of VFX. He will work with all artists at Outpost VFX’s 80-seat facility in Bournemouth.
Breaking Down a Hand Drawn Mograph Animation in Fu
September 21, 2018, 09:27 AM
https://lesterbanks.com/2018/09/hand-drawn-mograph...
Tony Gallardo and Juan Salvo Breakdown How to Create a Motion GRaphics Piece With a Hand Drawn Look in Fusion. Without looking too intently, you would be hardpressed to find motion graphics tools other than
When an episode clears QC
September 21, 2018, 09:27 AM
http://renderplease.tumblr.com/post/178313139415
Editor Ann Collins Talks about the Beginning of th
September 21, 2018, 06:20 AM
https://www.aotg.com/editor-ann-collins-talks-about-the-beginning-of-th/
Ann Collins is a New York based documentary film editor. This year, she was nominated for an American Cinema Editor’s Eddie award for her work on Griffin Dunne’s "Joan Didion: The Center Will Not Hold" which premiered at the 2017 New York Film Festival. Prior to that, she co-produced and edited "Swim Team," an independent documentary which has won numerous awards and...
Lavalier Microphone Techniques for Field Recording
September 21, 2018, 06:20 AM
http://designingsound.org/2018/09/21/lavalier-micr...
Lavalier microphones are useful in a lot of situations when you’re in the field. Their small size makes it easy to fit them into tight spaces to record perspectives that you wouldn’t normally be able to listen to. You can get very close to small objects or even insects or birds and given that […]
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