It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 21, 2016, 05:44 AM
http://icolorist.com/nab-colorist-mixer-2016/
It’s that time of year. The 4th NAB Colorist Mixer will be held on Sunday 17th April at the Rockhouse Bar. It started in 2012 with 30 colorists gathered at the back of a bar buying their own beer. This year we hope for 250 folk, and the beer is free! The event is made possible by our fantastic sponsors, hats off to them. The event sold out last year, so purchase early. The ICA team look forward to seeing you in Vegas.
March 19, 2016, 04:16 PM
https://digitalfilms.wordpress.com/2016/03/19/more...
With more cameras shooting in some form of a log or flat color profile and more editing software being able to integrate color look-up tables (LUTs), numerous developers have designed their own LUT packages. Some, like Koji, strive to duplicate the colorimetry of certain film stocks, while others, such as SpeedLooks from LookLabs, create stylized […]
March 19, 2016, 04:16 PM
http://www.visualnews.com/2016/02/19/kubrick-in-co...
Starting an in-depth conversation about Stanley Kubrick’s filmography is just a step above clearing your schedule. To dive deep into..
March 18, 2016, 07:22 AM
https://www.aotg.com/polaroid-announces-waterproof-underwater-dslr-case/
Polaroid underwater camera cases feature a high impact, polycarbonate case to protect cameras from Canon, Nikon, Olympus, Panasonic and Sony from the elements and in depths of water up to 130 feet for extreme adventure photography
#sony#canon#camera#dslr#nikon#photography#panasonic#polaroid#camera case#waterproof#olympus#adventure#underwaterMarch 17, 2016, 01:43 PM
https://www.aotg.com/the-arbalest-uses-blackmagic-cinema-camera/
Blackmagic Design announced today that the 2016 SXSW debut film “The Arbalest” was shot using a Blackmagic Cinema Camera. Captured by director Adam Pinney and DP Hugh Braselton, the film was also color graded with DaVinci Resolve 12 Studio by colorist David Torcivia.
#color grading#post production#filmmakingMarch 17, 2016, 05:31 AM
http://eriknaso.com/2016/03/16/new-sony-slog-luts-...
Two new LUT’s for using in Resolve or any software that reads.cube files are available from Sony. I tried them out and I think they work great. This is from the FS7 with slog2/sgamut CINE Ei.
March 16, 2016, 10:38 AM
http://boscpug.org/blackmagic-micro-studio-camera-...
Nine Micro Studio Camera 4Ks and nine Video Assists were used to shoot high-end fashion brand Chromat’s Fall/Winter 2016 runway show at New York Fashion Week.
March 16, 2016, 10:26 AM
https://www.aotg.com/glow-portable-light-modifier-now-available/
The perfect diffuser for transforming any light source, the collapsible scrim kit includes three interchangeable fabrics – translucent white for light diffusion, solid black for eye-popping backdrops, and chroma green for digital background substitution; available exclusively at Adorama
#video#camera#lighting#photography#adorama#glow#light modifierMarch 16, 2016, 05:35 AM
http://www.cinematographydb.com/2016/03/mc010-seni...
In this episode of Modern Cinematographer, I speak with senior colorist Rob Bessette. Rob is a staff colorist at a high end post production company in Boston called Finish Post. Rob talks about how he discovered video in college and then got an internship at Finish and eventually became the senior colorist. We discuss the business behind a post production company and what a colorist does for a living. If you are interested in learning more about color as a DP or colorist, you will learn a lot li...
March 14, 2016, 01:56 PM
https://news.creativecow.net/story/881043
(Madrid, Spain--March 12, 2016) SGO will be carving its own path this NAB, bringing its award-winning finishing system Mistika to the limelight and unveiling a multitude of incredible future-proof developments that have been in the pipeline for the past few years. Mistika will be the frontier of Virtual Reality,equipping professionals with the most innovative and accessible virtual toolsets and workflows.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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