Discovering Titler Pro 4 : Speed it Up with Cachin

March 9, 2016, 05:56 AM

https://www.aotg.com/discovering-titler-pro-4-speed-it-up-with-cachin/

Quick Edit and Caching Options Discover one of Titler's most innovative features in part 3 of the 4-part tutorial series on Titler Pro 4 from our VP of Products Travis White. In this quick lesson, Travis explores the power of QuickEdit and render caching options useful for making sharp lower third templates. Learn how to make editable lower third templates to reuse in your future projects.

Discovering Titler Pro 4: Pulling it All Together

March 9, 2016, 05:56 AM

https://www.aotg.com/discovering-titler-pro-4-pulling-it-all-together/

Creating Complex Titles From Scratch So you've learned how to apply animations, import Photoshop projects and use QuickEdit. Now it's time to create a complex title form scratch. Join our VP of Products Travis white as he takes us on the final part of the 4-part Discovering Titler Pro tutorial series. Follow along as he creates a main title using a variety of elements, lighting controls and advanced features to create a stunning broadcast-quality 3D title in minutes.

The Foundry annonce MODO 10 Series

March 9, 2016, 05:55 AM

http://www.3dvf.com/actualite-16126-the-foundry-an...

The Foundry announces MODO 10 Series , the next three updates to its generalist 3D tool MODO. The software therefore has a numbering system evolve: after 801 and 901, The Foundry made ​​the choice not to opt for MODO 1001, but returned to MODO 10.

How to modify lots of keyframes at once for AE

March 9, 2016, 05:55 AM

https://www.aotg.com/how-to-modify-lots-of-keyframes-at-once-for-ae/

Usually it is very tedious to modify an animation if it has a lot of keyframes, since each keyframe has to be changed individually. With the "name your own price" extension KeyTweak you can easily modify all keyframes in the workarea at once. You can even fade the changes in- and out to avoid abrupt changes. In this animation tutorial you learn how to modify a bouncing ball animation with KeyTweak. But you can apply the same technique to any other animations that involve lots of keyframes.

Selling 4K Footage Through Adobe’s Stock Sales S

March 9, 2016, 05:55 AM

http://www.hdvideopro.com/blog/selling-4k-footage-...

Last month Adobe announced that more than 100,000 4K video assets had been uploaded for sale via the Adobe Stock service. An obvious new trend in stock sales, 4K is becoming more and more a must, especially as projects need to differentiate themselves from the more than a million high definition properties that the service already offers. In addition, productions are looking for 4K footage not only to future proof their current projects, but also because 4K framing can give extra leverage when i...

The Story of Nicola Matiwone—From Student to Awa

March 8, 2016, 08:05 PM

http://www.avidblogs.com/timeline-tuesday-nicola-m...

The article The Story of Nicola Matiwone—From Student to Award-Winning Editor by Nicola Matiwone appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Trying to lock an episode but producers keep givin

March 8, 2016, 08:04 PM

http://renderplease.com/post/140693602235

Getting Started with Titler Pro in Grass Valley ED

March 8, 2016, 08:04 PM

https://www.aotg.com/getting-started-with-titler-pro-in-grass-valley-ed-2/

In this short tutorial, you'll learn how to quickly apply a title in EDIUS, as well as how to edit an existing template, create your own designs in Title Designer and leverage the elastic timeline.

One-Step LUTS in FCPX

March 8, 2016, 08:04 PM

https://www.aotg.com/one-step-luts-in-fcpx/

This week on MacBreak Studio, Steve demonstrates how to apply a custom Look Up Table (LUT) to log encoded footage in Final Cut Pro X. He also show's a cool tip for applying LUTs to many clips with a single key command.

Cutting Women: Margaret Booth and Hollywood’s Pi

March 8, 2016, 01:04 PM

https://wfpp.cdrs.columbia.edu/essay/cutting-women...

In 1926, the Los Angeles Times informed readers that “one of the most important positions in the motion-picture industry is held almost entirely by women” whose job it was to assemble “thousands of feet of film so that it tells an interesting story in the most straightforward manner” (B7). Assembling reels and cutting negatives was tedious work that often fell to young working-class women. However, out of the ranks of these film joiners and negative cutters emerged a handful of women who...