To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Sony A7S II: Color Grading Samples

February 25, 2016, 10:33 AM

https://www.aotg.com/sony-a7s-ii-color-grading-samples/

Color corrected and graded S-Log2 & S-Log3 footage captured with the Sony Alpha 7S II internally at 100Mbps (XAVC-S codec) in Ultra HD resolution (3840x2160). PLEASE NOTICE: The footage has been pushed to the limit on purpose to see how much grading the XAVC-S codec can handle. Due to the quality compression on YouTube more blocking / artifacts are visible than in the original footage!

The role of the colourist

February 24, 2016, 01:11 PM

http://www.redsharknews.com/post/item/3261-the-rol...

A recent breakdown of a Mitsubishi commercial highlights the importance of a good colourist. ColorColourcolouristcoloristpostMitsubishiCommercialBreakdown

Levels LUT Testing

February 24, 2016, 05:28 AM

http://cinescopophilia.com/levels-lut-testing/

Our dear friends from Poland Film Cyfrowy have taken Levels LUT’s out for a spin.

Clean Up That LUT Folder!

February 24, 2016, 05:28 AM

https://www.groundcontrolcolor.com/blog/clean-up-t...

Just thought I'd share a quick tip on how I organize my LUT folder for Resolve. It can get a little crazy when you have lots of LUTs on your system. Because of the way resolve displays the list of LUTs, they don't always show up in the same structure as your folders.

Sigma Introduces Electronic External Flash EF-630

February 23, 2016, 11:51 AM

https://www.aotg.com/sigma-introduces-electronic-external-flash-ef-630/

Boasts TTL exposure control, high-speed sync, wireless flash functions, rear-curtain sync, auto-zoom, and wide-angle illumination coverage and more

#camera#flash#photography#electronics#consumer electronics#lens#sigma#ef-630#external flash
Open Color & LUT Color Management With V-Ray for M

February 23, 2016, 10:28 AM

http://lesterbanks.com/2016/02/open-color-lut-colo...

MaxDepth shows how you can use the V-Ray Frame Buffer to apply OCIO and LUTs to renders. The Post Open Color & LUT Color Management With V-Ray for Maya originally appeared and published on %%BLOGLINK%,by lesterbanks

Flooby Nooby: Composition & Color Analysis of Blad

February 22, 2016, 05:07 PM

http://floobynooby.blogspot.ca/2014/09/composition...

A breakdown of the visual language of "Blade Runner" - Directed by Ridley Scott / Cinematography by Jordan Cronenweth.

Digital Idea Showreel 2016

February 19, 2016, 06:31 AM

http://www.artofvfx.com/digital-idea-showreel-2016...

Excellent showreel by Digital Idea featuring their VFX work on THE MONKEY KING 2, DRAGON BLADE and many more...

Colorist John Dowdell talks about the look of ‘C

February 18, 2016, 01:35 PM

http://postperspective.com/colorist-john-dowdell-t...

By Randi Altman Todd Haynes’ Carol, about two women who fall in love in New York City in the 1950s, received six Oscar noms this year, including one for Best Cinematography. Despite its setting, this beautifully captured film was actually shot in Cincinnati because of its architectural resemblance to 1950’s Manhattan. But the post was done in New York. One of the movie’s producers, Goldcrest Films, has a post house there, so Carol’s edit team called that location home for about sev...

The Mill colorist Matt Osborne joins Chicago studi

February 17, 2016, 05:51 PM

http://www.postmagazine.com/Press-Center/Daily-New...

CHICAGO — Colorist Matt Osborne has joined The Mill’s Chicago team, moving over from the studio’s London location. Osborne joins the Midwest office at a period of rapid expansion and growth. The Mill Chicago is planning a relocation at the end of Q1 to a larger studio at the landmark 1KFulton building.

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