It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 6, 2016, 01:35 PM
http://www.provideocoalition.com/still-shipping-ha...
Transporting footage from set, between editors and for final delivery has been necessary since the dawn of filmmaking. While the digital filmmaking era has made much of the post-production process easier and brought many new creative possibilities, the critical step of moving assets between people and locations hasn’t improved at all for most smaller media teams. For many of them, the default option is still “put it on a drive”, which is a process that impacts the bottom line in variou...
January 6, 2016, 01:35 PM
https://www.aotg.com/history-of-visual-communication-discussion-1/
I am in the process of retaking my History of Visual Communication class due to needing a leave of absence from school last November. This is my new video answering the introduction questions for the first discussion assignment.
January 6, 2016, 01:34 PM
https://www.aotg.com/batch-export-clips-from-fcp-x-to-resolve/
Do you need to Batch Export as individual clips in Final Cut Pro? Limitations in the software won't allow it, but there is a work around. In this episode, Steve will show you a simple way to bump your project to DaVinci Resolve 12, so that you can get the results you need. Subscribe to our channel to receive our free tips and tricks!
January 6, 2016, 10:44 AM
http://www.marketwired.com/press-release/season-tw...
Adorama today premiered season two of its popular online series “Through The Lens.” Making its official debut this past July, the YouTube show documents some of Instagram’s most popular photographers, featuring a different artist in every episode. While season one of the show focused on New York photographers and culture, season two goes nationwide, showcasing Instagram’s top accounts from all over the country.
#documentary#youtube#photography#iphoneography#instagramJanuary 6, 2016, 10:29 AM
http://www.btlnews.com/awards/contender-editor-dav...
Editor David Rosenbloom was recommended to director Scott Cooper by both Relativity Media executive Robbie Brenner and Crazy Heart editor Jeffrey Ford, who was unavailable to work on Black Mass, the true story based upon the life of Whitely Bulger (Johnny Depp), the infamous Boston criminal and FBI informant. The post Contender – Editor David Rosenbloom, Black Mass appeared first on Below the Line.
January 6, 2016, 10:29 AM
http://renderplease.com/post/136752672190
January 6, 2016, 10:29 AM
http://blogs.adobe.com/adobelife/2016/01/06/top-10...
Happy New Year everyone! We’re back with our annual list of top 10 career wishes for you in 2016: The opportunity to be a part of a winning team where your work matters A place that piques your curiosity and allows you to dream up groundbreaking ideas An environment that appreciates your unique self Colleagues who share the same values that you believe in A workplace that empowers you to take risks and pushes you into unfamiliar territories Teammates who inspire you to bring your...
January 6, 2016, 10:29 AM
http://www.avidblogs.com/next-level-editing-see-ho...
The article Next Level Editing: See how to Craft Amazing Visual Effects with Media Composer by Charlie Russell appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
January 6, 2016, 10:28 AM
http://www.vox.com/2016/1/5/10714588/film-digital-...
Picture a TV that appears to be displaying a cheap, unnatural-looking image, even though it's just come out of the box. We, or someone we know, have said something similar to the above when faced with just this situation. You may not be able to place a name on what’s happening, but you still instantly recognize the distracting, crisp falseness of the image. You know that’s not how TV’s supposed to look.
January 6, 2016, 10:28 AM
http://news.doddleme.com/blogs/post-production/avi...
When working in Avid Media Composer, you have the ability to attach multiple hard drives to your system. The big question remains: How do you decide what assets (media, renders, effects, etc.) you want to go on what drives? Well, that’s where the Media Creation Tool comes into play.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.