It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 3, 2021, 09:06 AM
https://www.provideocoalition.com/aotc-dick-johnso...
Today, our guest is Nels Bangerter, who was just nominated for an ACE Eddie for Best Edited Documentary for the film, Dick Johnson is Dead. Nels already won the International Documentary Association and Cinema Eye Honors Awards for his work on this film.
#documentary#dick johnson is deadApril 1, 2021, 09:46 AM
https://www.provideocoalition.com/aja-video-system...
Developed in partnership with Comprimato, the new BRIDGE LIVE update delivers new enhancements for AJA’s UltraHD/Multi-Channel HD contribution, streaming and delivery solution.
#ajaApril 1, 2021, 04:53 AM
Burrell Communications recently returned to The Colonie, tapping the talents of editor Graham Chapman and the Chicago-based company’s design team for the multi-platform launch of ‘Black Experience on Xfinity’ (BEOX). The package of broadcast and social media spots introduces a first-of-its-kind collection of movies, TV shows news, and more celebrating Black culture. The campaign departs from Xfinity's signature look with the introduction of ‘BEOX,' the newest addition to the cable T...
#finishing#design#motion graphics#editorial#the colonieMarch 30, 2021, 09:37 AM
https://www.provideocoalition.com/state-of-remote-...
It’s a year on from the start of the pandemic shutdown and we revisit the topic of remote editing with a panel of industry experts. Specifically, we look at how to do this right, now that remote editing has become a semi-permanent part of post production life. We cover desktop streaming, locally hosted media solutions, sneakernet, multi-site synchronization, remote collaboration, cloud computing and cloud storage, and a host of other topics.
#editing#covidMarch 29, 2021, 03:17 PM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design today announced that 2021 HPA Tech Retreat Supersession short film “La Inquilina” was posted in DaVinci Resolve Studio, including editing, grading, audio editing and delivery. For editing the film, they used DaVinci Resolve Studio running on Amazon’s EC2 G4 instances in conjunction with Amazon FSx for shared file storage.
#davinci resolve studio#davinci resolve editor keyboard#davinci resolve speed editorMarch 28, 2021, 12:37 PM
https://www.4kshooters.net/2021/03/28/editor-kirk-...
Netflix’s MANK is leading 2021 Oscars nominations with 10 nominations, including Best Picture and Best Director. Earlier this week, Adobe hosted a panel with editor Kirk Baxter, ACE, first assistant editor Ben Insler, and assistant editor Jennifer Chung to discuss their remote workflow on Premiere Pro and After Effects.
#ace#oscars#netflix#kirk baxter#mankMarch 27, 2021, 10:06 AM
https://www.provideocoalition.com/agence-cinematic...
Would you play god to intelligent life? That’s the key question that Agence presents. This dynamic short-film merges cinematic storytelling, artificial intelligence, user interactivity and is never the same twice.
#artificial intelligenceMarch 27, 2021, 10:03 AM
https://www.goldderby.com/article/2021/sound-of-me...
You wouldn’t necessarily think that sound would go hand-in-hand with film editing, but at the Oscars, those awards have often gone to the same film. In fact, the last seven film editing winners in a row have won one or both sound awards (this year the two sound categories were consolidated). And only seven film editing winners in the last 20 years have failed to win a sound prize. Could “Sound of Metal” continue this trend?
#editing#oscars#sound#sound of metalMarch 26, 2021, 08:39 AM
https://ymcinema.com/2021/03/25/mank-was-edited-on...
Netflix’s MANK is one of the most nominated films in Oscar 2021 (including Best Picture, Best Director, and Cinematography). The movie was edited on Premiere Pro, battle-testing its Production capabilities. Let’s explore what MANK’s editors have to say about the workflow, and how they sum up their experience using PP during remote operation.
#editing#premiere pro#mankMarch 26, 2021, 08:38 AM
https://www.provideocoalition.com/trusting-apple-d...
In the “good old days” of post, directors, cinematographers, and clients would all judge final image quality in an online edit or color correction suite using a single, calibrated reference monitor. We’ve moved away from rooms that look like the bridge of the Enterprise into more minimalist set-ups.
#apple#display
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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